1 00:00:02,270 --> 00:00:05,603 (grand orchestral music) 2 00:00:10,178 --> 00:00:11,670 (jazzy music) 3 00:00:11,670 --> 00:00:12,903 - Buenos días! 4 00:00:13,560 --> 00:00:15,390 I'm your Greek Chorus. 5 00:00:15,390 --> 00:00:16,920 Your cacophony of carnality. 6 00:00:16,920 --> 00:00:18,560 The embodiment of... 7 00:00:20,340 --> 00:00:21,420 The body. 8 00:00:21,420 --> 00:00:23,820 And your Sherpa of suspense. 9 00:00:23,820 --> 00:00:24,933 Now, come... 10 00:00:25,950 --> 00:00:27,960 Come, take my hand, 11 00:00:27,960 --> 00:00:32,380 and if you dare, sheathe your sword to its hilt. 12 00:00:32,380 --> 00:00:34,241 Are you up to it? 13 00:00:34,241 --> 00:00:37,574 (grand orchestral music) 14 00:02:37,312 --> 00:02:40,729 (gentle orchestral music) 15 00:02:47,079 --> 00:02:50,380 (Adolph speaking German language) 16 00:02:53,730 --> 00:02:56,397 (whip cracking) 17 00:03:01,775 --> 00:03:04,625 (muffled speech in German language) 18 00:03:18,149 --> 00:03:18,987 - Hey! 19 00:03:18,987 --> 00:03:20,470 (speaking foreign language) 20 00:03:20,470 --> 00:03:22,989 - [Adolph] You still with the whip goes! 21 00:03:22,989 --> 00:03:24,510 (speaking German language) 22 00:03:24,510 --> 00:03:28,355 - My old friend Freddy, he would've been impressed! 23 00:03:30,463 --> 00:03:32,930 (muffled speech in German language) 24 00:03:33,764 --> 00:03:36,755 (whip cracking) 25 00:03:52,393 --> 00:03:56,134 (Adolph speaking in German language) 26 00:04:02,005 --> 00:04:03,856 (Adolph screaming) (whip cracking) 27 00:04:03,856 --> 00:04:04,856 - Wunderbar! 28 00:04:06,136 --> 00:04:09,803 (speaking German language) 29 00:04:24,005 --> 00:04:27,005 (rhythmic slapping) 30 00:04:39,056 --> 00:04:41,473 (gong ringing) 31 00:04:42,995 --> 00:04:44,507 - [Adolph] What's this? 32 00:04:44,507 --> 00:04:45,833 Ah... (playful music) 33 00:04:45,833 --> 00:04:47,366 Limehouse. 34 00:04:50,324 --> 00:04:53,391 (Adolph speaking foreign language) 35 00:05:03,584 --> 00:05:05,125 (whip dashes) 36 00:05:10,392 --> 00:05:13,008 (muffled speech in foreign language) 37 00:05:22,931 --> 00:05:24,714 (whip cracking) 38 00:05:49,825 --> 00:05:53,650 (Adolph moaning) 39 00:06:08,127 --> 00:06:11,406 (Adolph and woman screaming) 40 00:06:11,406 --> 00:06:13,989 (music swells) 41 00:06:15,591 --> 00:06:17,782 (lips smacking) 42 00:06:17,782 --> 00:06:21,433 (muffled speech in German language) 43 00:06:25,773 --> 00:06:26,806 Nein, nein. 44 00:06:27,965 --> 00:06:29,670 - [Paul] Let's cut out of here. 45 00:06:29,670 --> 00:06:31,890 We can drive over to Salmon Creek, 46 00:06:31,890 --> 00:06:34,920 swim and ball around for a couple of hours, 47 00:06:34,920 --> 00:06:37,096 before you take the bus back to Sacramento. 48 00:06:37,096 --> 00:06:41,263 (Adolph speaking German language) 49 00:06:48,204 --> 00:06:51,787 (dramatic orchestral music) 50 00:07:08,640 --> 00:07:11,340 - Haven't you forgotten something? 51 00:07:11,340 --> 00:07:12,360 - What? 52 00:07:12,360 --> 00:07:14,643 - You have not completed your assignment. 53 00:07:16,800 --> 00:07:17,910 - I'm bushed. 54 00:07:17,910 --> 00:07:19,290 - What you call it? 55 00:07:19,290 --> 00:07:21,150 Ugh, verdammtes English. 56 00:07:21,150 --> 00:07:22,143 Oh, ja, ja. 57 00:07:23,220 --> 00:07:24,393 A bonus! 58 00:07:26,370 --> 00:07:27,390 - That's it, asshole. 59 00:07:27,390 --> 00:07:28,683 Put up or shut up. 60 00:07:33,990 --> 00:07:34,823 How much? 61 00:07:36,480 --> 00:07:38,913 - Hmm, something generous. 62 00:07:42,660 --> 00:07:44,010 Come to the... 63 00:07:44,010 --> 00:07:45,850 (chuckles) 64 00:07:45,850 --> 00:07:47,638 Nuptial couch. 65 00:07:47,638 --> 00:07:50,471 (slow jazz music) 66 00:08:10,865 --> 00:08:12,848 (lotion squirting) 67 00:08:16,800 --> 00:08:18,883 (Adolph moaning) 68 00:08:29,161 --> 00:08:30,611 (lotion squirting) 69 00:08:37,777 --> 00:08:41,054 (drum roll) 70 00:08:41,054 --> 00:08:44,387 (grand orchestral music) 71 00:08:47,343 --> 00:08:50,676 (German marching music) 72 00:08:55,352 --> 00:08:59,769 (Adolph exclaiming in German language) 73 00:09:29,999 --> 00:09:33,557 (abrupt suction noise) (Adolph screaming) 74 00:09:43,020 --> 00:09:45,033 - Haven't you forgotten something? 75 00:09:47,414 --> 00:09:48,480 (Beethoven symphony music) 76 00:09:48,480 --> 00:09:49,313 - Haven't you? 77 00:09:49,313 --> 00:09:50,310 - My billfold. 78 00:09:50,310 --> 00:09:51,423 Behind those whips. 79 00:09:56,070 --> 00:09:57,813 Take the 100 mark bill. 80 00:09:59,244 --> 00:10:01,944 (military marching music) 81 00:10:03,150 --> 00:10:04,300 - Thanks for the bonus. 82 00:10:11,790 --> 00:10:12,623 - Come here. 83 00:10:14,790 --> 00:10:17,030 I said, come here schnell! 84 00:10:18,988 --> 00:10:22,321 (German marching music continues) 85 00:10:25,103 --> 00:10:28,890 And for the second 100 mark bill? 86 00:10:28,890 --> 00:10:31,148 - Hurry up, I haven't got too much time. 87 00:10:31,148 --> 00:10:33,981 (birds chirping) 88 00:10:54,565 --> 00:10:57,232 (Alice giggling) 89 00:11:15,108 --> 00:11:17,108 (Alice moaning) 90 00:11:21,272 --> 00:11:24,689 (gentle orchestral music) 91 00:11:39,101 --> 00:11:41,368 (moaning) (heavy breathing) 92 00:11:46,643 --> 00:11:48,443 (tongue squelching) 93 00:12:00,761 --> 00:12:02,928 - See you Thursday, Adolph. 94 00:12:03,861 --> 00:12:04,694 Same time. 95 00:12:05,540 --> 00:12:07,912 (Adolph gags) 96 00:12:08,512 --> 00:12:11,845 (German marching music) 97 00:12:15,445 --> 00:12:17,975 (playful violin music) 98 00:12:17,975 --> 00:12:19,207 - Hey, Gwendolyn. 99 00:12:19,207 --> 00:12:21,780 - Sweet little Alice, I'm gonna top you off right. 100 00:12:21,780 --> 00:12:23,853 Like I said... 101 00:12:25,067 --> 00:12:26,832 - Oh, Christ... 102 00:12:27,132 --> 00:12:28,803 Now, wait a minute. 103 00:12:28,803 --> 00:12:29,636 Um... 104 00:12:29,636 --> 00:12:31,480 Maybe we should talk about this. 105 00:12:32,850 --> 00:12:34,230 Slow down, Gwendolyn. 106 00:12:34,230 --> 00:12:36,656 No, wait, wait a minute! 107 00:12:36,656 --> 00:12:37,737 God! 108 00:12:37,737 --> 00:12:38,856 Wait a minute! 109 00:12:38,856 --> 00:12:39,914 God! 110 00:12:39,914 --> 00:12:41,297 Slow down! 111 00:12:41,297 --> 00:12:42,130 My God! 112 00:12:42,977 --> 00:12:43,908 Wait! 113 00:12:43,908 --> 00:12:45,337 - [German Troops] Sieg heil! 114 00:12:45,337 --> 00:12:46,635 Sieg heil! 115 00:12:46,635 --> 00:12:47,468 Sieg heil! 116 00:12:54,596 --> 00:12:55,508 - Mm-hm. 117 00:12:55,508 --> 00:12:58,508 (war drums beating) 118 00:13:09,796 --> 00:13:13,963 (man singing German propaganda music) 119 00:13:20,865 --> 00:13:23,532 (water running) 120 00:13:29,520 --> 00:13:30,600 - [Alice] Leave it to you, Gwendolyn, 121 00:13:30,600 --> 00:13:32,820 to come up with something far out. 122 00:13:32,820 --> 00:13:35,253 - That hunky dildo is pure poetry. 123 00:13:38,280 --> 00:13:40,260 Catch me on your way back through! 124 00:13:40,260 --> 00:13:42,540 - I'll pick up some new tricks in Frisco. 125 00:13:42,540 --> 00:13:44,131 See you in two weeks. 126 00:13:44,131 --> 00:13:45,805 Bye, slick! 127 00:13:45,805 --> 00:13:47,874 - (chuckles) Bye! 128 00:13:47,874 --> 00:13:49,848 (truck starts) 129 00:13:49,848 --> 00:13:51,447 (lips smacking) 130 00:13:55,864 --> 00:13:57,954 (truck honking) 131 00:13:57,954 --> 00:14:02,121 (man singing German propaganda music) 132 00:14:03,093 --> 00:14:07,260 (Adolph speaking German language) 133 00:14:11,813 --> 00:14:14,013 (record stops) 134 00:14:14,413 --> 00:14:16,355 Verdammtes gramophone! 135 00:14:16,355 --> 00:14:18,353 (water bubbling) 136 00:14:18,353 --> 00:14:20,944 (Adolph speaking German language) 137 00:14:31,606 --> 00:14:33,624 (glass jar rings) 138 00:14:33,624 --> 00:14:35,500 You have no business here. 139 00:14:35,700 --> 00:14:37,700 Certainly not in my badezimmer. 140 00:14:38,697 --> 00:14:41,073 Did I not make myself clear? 141 00:14:42,930 --> 00:14:43,763 Die fisch? 142 00:14:47,682 --> 00:14:48,765 Piranha fisch. 143 00:14:50,340 --> 00:14:53,570 I saw those (German word) devour a whole cow in Uruguay. 144 00:15:04,147 --> 00:15:05,497 (water rushing) No, no! 145 00:15:05,497 --> 00:15:07,573 Nein! Not in my tub! 146 00:15:07,573 --> 00:15:09,740 (Adolph screaming) 147 00:15:11,263 --> 00:15:15,491 (German propaganda music) 148 00:15:15,491 --> 00:15:18,874 (piranha teeth chattering) 149 00:15:33,120 --> 00:15:34,307 - Poor Schwartz is dead! 150 00:15:34,307 --> 00:15:35,736 Murder most foul! 151 00:15:35,736 --> 00:15:36,720 (zipper sounding) 152 00:15:36,720 --> 00:15:39,570 Though foul and fair today, I have not seen. 153 00:15:39,570 --> 00:15:42,510 Harry the nimrod, the tool of destruction. 154 00:15:42,510 --> 00:15:44,790 But who unleashed his savage appetite? 155 00:15:44,790 --> 00:15:46,593 'Tis the question I lay to you. 156 00:15:46,593 --> 00:15:47,487 (whip cracking) 157 00:15:47,487 --> 00:15:50,550 Headsperson, the assassin for hire, 158 00:15:50,550 --> 00:15:52,450 at your service for a price. 159 00:15:52,450 --> 00:15:54,810 (skin being slapped) Consider The Ethiopian Chef, 160 00:15:54,810 --> 00:15:57,450 pummeling the scrotum with joyous supplication, 161 00:15:57,450 --> 00:16:00,690 meting out vengeance on the colonial oppressor. 162 00:16:00,690 --> 00:16:03,692 Or Limehouse, daughter of the Rising Sun... 163 00:16:03,692 --> 00:16:05,070 (lips smacking) 164 00:16:05,070 --> 00:16:07,214 The kamikaze of cunnilingi. 165 00:16:07,214 --> 00:16:08,514 (playful jazz music) 166 00:16:08,514 --> 00:16:10,653 Paul, the Founding Father: 167 00:16:11,520 --> 00:16:14,970 husband, punisher, and lover, 168 00:16:14,970 --> 00:16:17,546 prepared to lay siege to any fountain. 169 00:16:17,546 --> 00:16:19,320 Any time, any place. 170 00:16:19,320 --> 00:16:22,950 Choosing, comparing, one with another. 171 00:16:22,950 --> 00:16:27,210 Consider, too, Alice, the loveliest maiden of Plymouth. 172 00:16:27,210 --> 00:16:29,430 A misty phantom of passion 173 00:16:29,430 --> 00:16:32,070 wallowing in the sea of carnality. 174 00:16:32,070 --> 00:16:33,900 And then there is Gwendolyn, 175 00:16:33,900 --> 00:16:35,820 veil as black as snow, 176 00:16:35,820 --> 00:16:40,170 her angry loins the center nave of a Gothic cathedral. 177 00:16:40,170 --> 00:16:42,360 And finally, the intruder, 178 00:16:42,360 --> 00:16:44,460 stealing into Schwartz's badezimmer, 179 00:16:44,460 --> 00:16:46,710 at Sparta and at Athens, 180 00:16:46,710 --> 00:16:49,443 leaving the devouring instrument of destruction. 181 00:16:50,430 --> 00:16:51,660 There. 182 00:16:51,660 --> 00:16:52,983 There you have it. 183 00:16:53,520 --> 00:16:55,530 Yet before the court adjourns, 184 00:16:55,530 --> 00:16:58,973 you must consider one, and then another. 185 00:17:12,820 --> 00:17:15,461 (tires screeching) 186 00:17:25,583 --> 00:17:27,510 - [Homer] Can I be of some assistance, miss? 187 00:17:27,510 --> 00:17:28,343 - No thanks. 188 00:17:28,343 --> 00:17:29,730 - Car broke down? 189 00:17:29,730 --> 00:17:30,900 - No, just jogging. 190 00:17:30,900 --> 00:17:31,733 Keeping in shape. 191 00:17:31,733 --> 00:17:32,610 - You new here? 192 00:17:32,610 --> 00:17:34,710 Can't say as I've seen you around. 193 00:17:34,710 --> 00:17:37,200 - Stopped off at Miranda last night. 194 00:17:37,200 --> 00:17:38,233 - Dancer? 195 00:17:39,150 --> 00:17:39,983 Stripper. 196 00:17:39,983 --> 00:17:40,816 - Interpretive. 197 00:17:42,720 --> 00:17:44,120 - Can I give you a lift? 198 00:17:44,790 --> 00:17:46,110 - We know that ain't kosher. 199 00:17:46,110 --> 00:17:47,550 - Don't matter up here. 200 00:17:47,550 --> 00:17:51,000 I'm the only trooper between Garberville and Myers Flat. 201 00:17:51,000 --> 00:17:53,100 Come on, jump in. 202 00:17:53,100 --> 00:17:54,510 You're in good enough shape. 203 00:17:54,510 --> 00:17:56,560 - Thanks anyway, but I need the exercise. 204 00:17:57,450 --> 00:17:59,010 - What's your name? 205 00:17:59,010 --> 00:17:59,970 - Margo. 206 00:17:59,970 --> 00:18:01,470 Margo Winchester. 207 00:18:01,470 --> 00:18:02,580 What's yours? 208 00:18:02,580 --> 00:18:03,660 - Homer. 209 00:18:03,660 --> 00:18:04,780 Homer Johnson. 210 00:18:06,286 --> 00:18:07,244 (heavy bump) 211 00:18:07,244 --> 00:18:08,707 Whoa! Son of a bitch! 212 00:18:08,707 --> 00:18:11,290 (Margo laughs) 213 00:18:18,175 --> 00:18:21,092 (tires screeching) 214 00:18:23,499 --> 00:18:26,773 ♪ Never ever gonna leave you alone ♪ 215 00:18:27,573 --> 00:18:30,823 ♪ Come on and make a life with me ♪ 216 00:18:31,123 --> 00:18:33,031 (tires screeching) 217 00:18:33,031 --> 00:18:36,198 ♪ My sweet satin lady ♪ 218 00:18:38,501 --> 00:18:40,501 - Hey, what's happening? 219 00:18:47,023 --> 00:18:49,431 (radio rock music playing) 220 00:18:52,133 --> 00:18:53,178 (music gets louder) 221 00:18:53,178 --> 00:18:55,761 Okay, so you're an ideal chick! 222 00:18:58,736 --> 00:18:59,959 Hey! 223 00:18:59,959 --> 00:19:01,626 You hard of hearing? 224 00:19:04,170 --> 00:19:05,069 (lowers volume) 225 00:19:05,069 --> 00:19:07,210 Okay, I'll run through it again. 226 00:19:07,410 --> 00:19:08,550 Where ya headin'? 227 00:19:08,550 --> 00:19:09,423 - Miranda. 228 00:19:11,597 --> 00:19:15,747 ♪ Come on and make a life with me ♪ 229 00:19:16,147 --> 00:19:18,927 ♪ My sweet satin lady ♪ 230 00:19:19,227 --> 00:19:20,894 - [Margo] All right. 231 00:19:22,098 --> 00:19:25,837 ♪ I'm never ever gonna leave you alone ♪ 232 00:19:26,137 --> 00:19:30,438 ♪ Come on and make a life with me ♪ 233 00:19:30,738 --> 00:19:31,955 ♪ My sweet satin lady ♪ 234 00:19:31,955 --> 00:19:33,166 - [Leonard] Music? 235 00:19:33,166 --> 00:19:34,343 - [Margo] Whatever's your pleasure. 236 00:19:37,560 --> 00:19:38,850 - [Leonard] Staying in Miranda? 237 00:19:38,850 --> 00:19:40,710 - [Margo] Just passing through. 238 00:19:40,710 --> 00:19:42,273 - Maybe I can change your mind. 239 00:19:46,200 --> 00:19:47,850 - Don't think so. 240 00:19:47,850 --> 00:19:48,750 - [Radio DJ] Well, all right! 241 00:19:48,750 --> 00:19:49,920 That was "Satin Lady," 242 00:19:49,920 --> 00:19:53,053 number nine this week in PQFU Top 40! 243 00:19:53,053 --> 00:19:55,887 Now, fasten your seatbelts and taste some head, 244 00:19:55,887 --> 00:19:58,747 to this up and coming powerhouse of sound! 245 00:19:58,747 --> 00:19:59,847 Yeah! 246 00:19:59,847 --> 00:20:01,052 Ay-ooo! 247 00:20:02,197 --> 00:20:04,677 - [Leonard] Shortcut. Saves a lot of time. 248 00:20:04,877 --> 00:20:06,957 - [Margo] Yeah, I'll bet. 249 00:20:06,957 --> 00:20:09,459 (metal rattling) 250 00:20:09,459 --> 00:20:11,270 (brakes screeching) 251 00:20:11,270 --> 00:20:12,687 - Son of a bitch! 252 00:20:14,350 --> 00:20:15,575 - Fuck off! (punch landing) 253 00:20:15,575 --> 00:20:17,598 (Leonard screaming) 254 00:20:17,598 --> 00:20:19,169 Nice knowing you! 255 00:20:19,169 --> 00:20:20,298 - Fucking cunt! 256 00:20:20,298 --> 00:20:23,048 (suspenseful music) 257 00:20:27,682 --> 00:20:30,349 (Margo shrieking) 258 00:20:31,645 --> 00:20:34,167 (screaming) 259 00:20:34,167 --> 00:20:37,000 (suspenseful music continues) 260 00:21:03,364 --> 00:21:07,532 (Margo screaming) 261 00:21:07,532 --> 00:21:10,257 (punches landing) 262 00:21:30,477 --> 00:21:33,810 (tense orchestral music) 263 00:21:37,316 --> 00:21:39,107 (fabric tearing) 264 00:21:44,454 --> 00:21:46,163 (spring sound effect) 265 00:21:47,527 --> 00:21:49,952 (tense orchestral music) 266 00:21:54,378 --> 00:21:56,244 (music swells) 267 00:22:02,004 --> 00:22:04,671 (Leonard moaning) 268 00:22:34,076 --> 00:22:36,459 (dramatic music) 269 00:22:39,265 --> 00:22:40,724 (Margo screaming) 270 00:22:40,724 --> 00:22:43,474 (dramatic music) 271 00:22:48,425 --> 00:22:49,842 - [Leonard] Whoa! (neck snapping) 272 00:22:53,049 --> 00:22:55,549 - Looks like you hurt the boy! 273 00:22:58,361 --> 00:23:01,111 (birds chirping) 274 00:23:18,663 --> 00:23:20,850 He's all through hurting. 275 00:23:20,850 --> 00:23:22,083 Over there to the road! 276 00:23:23,670 --> 00:23:24,703 Go on, move! 277 00:23:27,340 --> 00:23:28,173 Go on! 278 00:23:38,220 --> 00:23:41,253 Now, why in the hell did you have to go that far? 279 00:23:42,180 --> 00:23:43,680 You took all the fight out of him 280 00:23:43,680 --> 00:23:45,983 just before you cut off his lifestyle. 281 00:23:47,220 --> 00:23:49,263 That karate's pretty mean stuff. 282 00:23:51,060 --> 00:23:54,003 From what I saw, you know how to handle yourself. 283 00:23:55,170 --> 00:23:56,613 No question about that. 284 00:23:58,950 --> 00:23:59,783 (police radio tuning) 285 00:23:59,783 --> 00:24:01,372 - [Man On Radio] Breaker break! 286 00:24:01,372 --> 00:24:02,610 This is Bed Bugger out of VR Town. 287 00:24:02,610 --> 00:24:04,800 Anybody know where the teddy bear goes? 288 00:24:04,800 --> 00:24:07,143 - Get on up there! 289 00:24:08,040 --> 00:24:09,273 Stop dragging your feet. 290 00:24:10,180 --> 00:24:11,490 Now, get your ass in the car! 291 00:24:11,490 --> 00:24:13,290 - [Receiver] ...'Til your back door's covered, 292 00:24:13,290 --> 00:24:15,210 unless you want to get bear bit. 293 00:24:15,210 --> 00:24:18,210 10-1 north of Garberville is tough turkey. 294 00:24:18,210 --> 00:24:19,043 Do you copy? 295 00:24:20,058 --> 00:24:22,190 - [Bed Bugger] Break, break! Bed Bugger's got a copy. 296 00:24:22,190 --> 00:24:24,090 - He must have picked you up back there where I left you. 297 00:24:24,090 --> 00:24:25,110 - [Bed Bugger] Nobody on my tail 298 00:24:25,110 --> 00:24:26,640 except a pregnant rollerskate. 299 00:24:26,640 --> 00:24:27,930 Bye! 300 00:24:27,930 --> 00:24:29,180 - Maybe you provoked him. 301 00:24:30,660 --> 00:24:35,040 More and often, it's been my law enforcement experience 302 00:24:35,040 --> 00:24:37,153 that you gals cause a problem. 303 00:24:39,196 --> 00:24:41,490 Dressing half naked... 304 00:24:41,490 --> 00:24:43,140 - [Receiver] The County Mountie was last spotted 305 00:24:43,140 --> 00:24:44,910 right in tune with the Pavement Princess 306 00:24:44,910 --> 00:24:48,093 about an hour ago at Belcher's Flat. 307 00:24:49,530 --> 00:24:51,510 - Yet on the other hand, 308 00:24:51,510 --> 00:24:54,600 could've been an exception with Leonard Box. 309 00:24:54,600 --> 00:24:55,863 That's the boy's name. 310 00:24:56,994 --> 00:24:58,944 He had a reputation for making trouble. 311 00:24:59,910 --> 00:25:01,490 No question about that. 312 00:25:03,030 --> 00:25:04,263 No one's gonna miss him. 313 00:25:05,580 --> 00:25:07,187 Except maybe his old man. 314 00:25:07,187 --> 00:25:08,495 (gentle music) 315 00:25:08,495 --> 00:25:10,824 Not that he was particularly fond of his son, 316 00:25:10,824 --> 00:25:13,313 but he's personal property, 317 00:25:13,980 --> 00:25:16,493 like the mills he owns in Belcher's Flat. 318 00:25:17,520 --> 00:25:18,553 He's loaded. 319 00:25:19,350 --> 00:25:21,090 Spread a lot of bread around. 320 00:25:21,090 --> 00:25:22,743 See you grow old in jail. 321 00:25:25,080 --> 00:25:27,540 - What are you trying to say, officer? 322 00:25:27,540 --> 00:25:30,150 - Hell, there's another way of looking at it. 323 00:25:30,150 --> 00:25:32,100 You'd probably save a lot of paperwork, 324 00:25:32,100 --> 00:25:33,693 and aggravation for the state. 325 00:25:37,453 --> 00:25:40,263 He was bound to end up dead, way he was heading. 326 00:25:41,310 --> 00:25:42,873 Trouble with a capital "T." 327 00:25:43,842 --> 00:25:46,592 (gentle dramatic music) 328 00:25:49,110 --> 00:25:50,660 - You can put the gun away now. 329 00:25:52,322 --> 00:25:53,155 - Homer. 330 00:26:04,341 --> 00:26:06,390 (door closes) 331 00:26:06,390 --> 00:26:09,043 Really didn't see everything that happened. 332 00:26:09,043 --> 00:26:12,343 I was driving over to Charlie Summer's spread at Lucas Meadows. 333 00:26:13,320 --> 00:26:15,090 He's kinda stubborn, 334 00:26:15,090 --> 00:26:19,200 rejecting modern conveniences like telephones and such. 335 00:26:19,200 --> 00:26:21,550 He hadn't shown up in Miranda for several days. 336 00:26:22,440 --> 00:26:24,211 I decided to look in on him, 337 00:26:24,211 --> 00:26:25,470 in case he was ailing. 338 00:26:25,470 --> 00:26:27,210 Then I caught the two of you struggling 339 00:26:27,210 --> 00:26:28,950 over there by this cliff. (screaming) 340 00:26:28,950 --> 00:26:31,559 Off the corner of my eyes, I was driving by. 341 00:26:32,880 --> 00:26:36,900 Before I could get to you, both of you fell over the edge. 342 00:26:36,900 --> 00:26:38,700 Thought you were goners. 343 00:26:38,700 --> 00:26:40,800 It's one hell of a drop, 344 00:26:40,800 --> 00:26:42,483 enough to break a body's back. 345 00:26:43,410 --> 00:26:46,470 Then I ran over just in time to see the Box kid, 346 00:26:46,470 --> 00:26:49,391 spread out like a blivet at the bottom of the canyon. 347 00:26:49,391 --> 00:26:52,050 (gentle dramatic music continues) 348 00:26:52,050 --> 00:26:53,193 Then I spotted you, 349 00:26:54,030 --> 00:26:55,860 hanging on a root. 350 00:26:55,860 --> 00:26:57,630 Real close call. 351 00:26:57,630 --> 00:26:59,520 Then I got me a rope from the black and white 352 00:26:59,520 --> 00:27:00,620 and pulled you up. 353 00:27:01,336 --> 00:27:04,213 (Margo sobbing) 354 00:27:04,213 --> 00:27:06,753 Put you in the back seat of the patrol car. 355 00:27:07,890 --> 00:27:09,333 You were kinda hysterical. 356 00:27:10,980 --> 00:27:14,130 Didn't blame you, after hearing your story. 357 00:27:14,130 --> 00:27:15,570 Then I called the coroner, 358 00:27:15,570 --> 00:27:17,760 Lou Dougle in Garberville. 359 00:27:17,760 --> 00:27:21,150 He had one hell of a time getting to that kid. 360 00:27:21,150 --> 00:27:24,210 Good he brought a couple of loggers along to give him a hand. 361 00:27:24,660 --> 00:27:27,363 Anyway, Lou checked over what was left of him. 362 00:27:28,528 --> 00:27:29,910 DOA. 363 00:27:29,910 --> 00:27:32,673 Cause of death: broken back. 364 00:27:33,540 --> 00:27:35,010 Reason: 365 00:27:35,010 --> 00:27:36,303 fall from a great height. 366 00:27:37,330 --> 00:27:39,180 Did I leave anything out? 367 00:27:39,180 --> 00:27:40,650 - Only the kicker. 368 00:27:40,650 --> 00:27:43,006 - Let's talk about it at my place. 369 00:27:43,006 --> 00:27:45,598 (jaunty jazz music) 370 00:27:45,598 --> 00:27:49,431 (Margo and Homer moaning loudly) 371 00:28:19,127 --> 00:28:21,760 (screaming and heavy breathing) 372 00:28:26,588 --> 00:28:30,038 (Homer howls) 373 00:28:45,150 --> 00:28:48,567 (gentle orchestral music) 374 00:29:02,262 --> 00:29:03,443 - You're a real shit. 375 00:29:03,443 --> 00:29:05,340 Knew it the first time I saw you. 376 00:29:05,340 --> 00:29:07,800 - [Homer] What did they say about stirring it up? 377 00:29:07,800 --> 00:29:09,600 - That it takes one to know one. 378 00:29:12,032 --> 00:29:13,051 (Homer coughs) 379 00:29:13,051 --> 00:29:15,150 We can't go on doing this all of the time. 380 00:29:15,150 --> 00:29:16,407 - [Homer] Why not? 381 00:29:16,407 --> 00:29:18,480 - Not without a change of pace. 382 00:29:18,480 --> 00:29:20,480 - [Homer] Already you're unfaithful. 383 00:29:21,432 --> 00:29:23,851 - Not so you'll ever notice. 384 00:29:24,251 --> 00:29:25,084 Besides... 385 00:29:27,150 --> 00:29:29,500 Can't afford to do any talking in my sleep. 386 00:29:30,180 --> 00:29:32,411 And that goes for you, too, Homer. 387 00:29:32,411 --> 00:29:33,540 (glasses crunch) 388 00:29:33,540 --> 00:29:34,620 - [Homer] Easy. 389 00:29:34,620 --> 00:29:36,183 You broke my glasses. 390 00:29:37,380 --> 00:29:38,910 - Sorry. 391 00:29:38,910 --> 00:29:40,413 Don't know my own strength. 392 00:29:43,620 --> 00:29:46,780 Say, I think we left something out. 393 00:29:46,780 --> 00:29:47,613 Ooh! 394 00:29:48,540 --> 00:29:49,373 Homer! 395 00:29:50,231 --> 00:29:53,610 ("Reveille" trumpet call) 396 00:29:53,610 --> 00:29:56,951 (Homer and Margo moaning) 397 00:29:59,363 --> 00:30:01,830 - [Chorus] Instead of equal justice under the law, 398 00:30:01,830 --> 00:30:05,108 Winchester finds equal justice under Johnson. 399 00:30:05,108 --> 00:30:06,450 The Buzzard's Nest, 400 00:30:06,450 --> 00:30:09,133 where fair was foul and foul was fair. 401 00:30:09,133 --> 00:30:11,850 A murder committed most macabre. 402 00:30:11,850 --> 00:30:14,880 Paul, the most likely suspect. 403 00:30:14,880 --> 00:30:18,960 Jealousy, greed, and ambition his trio of muses. 404 00:30:18,960 --> 00:30:22,500 Margo, the doe-eyed fucking machine, 405 00:30:22,500 --> 00:30:26,643 every man's dream to impale upon the Everest of passion. 406 00:30:28,016 --> 00:30:30,930 Headsperson, the white rose of death, 407 00:30:30,930 --> 00:30:34,590 stitching with pain 'til all grows wan and white. 408 00:30:34,590 --> 00:30:36,240 The Ethiopian Chef, 409 00:30:36,240 --> 00:30:39,840 an escaped tempest of black passion and malice. 410 00:30:39,840 --> 00:30:41,760 Limehouse, almond-eyed, 411 00:30:41,760 --> 00:30:44,217 impressive as the sayings of Chairman Mao. 412 00:30:44,217 --> 00:30:45,050 (gong ringing) 413 00:30:45,050 --> 00:30:48,004 Her body a golden zither to work magic. 414 00:30:48,004 --> 00:30:50,160 (moans loudly) 415 00:30:50,160 --> 00:30:53,490 Alice, maiden, lesbian, and princess, 416 00:30:53,490 --> 00:30:55,950 protector of shrine and sanctuary. 417 00:30:55,950 --> 00:30:57,960 The original Great Mother. 418 00:30:57,960 --> 00:31:01,560 Gwendolyn, holy champion of fornication. 419 00:31:01,560 --> 00:31:02,880 Husband person. 420 00:31:02,880 --> 00:31:05,970 Sweet little Alice for herself alone? 421 00:31:05,970 --> 00:31:08,460 Homer, much in fear of axe and rope, 422 00:31:08,460 --> 00:31:09,930 but still in dreams of the night 423 00:31:09,930 --> 00:31:12,090 beheld he the crimson light, 424 00:31:12,090 --> 00:31:14,640 and heard the voice that defied him, 425 00:31:14,640 --> 00:31:16,410 who was crucified. 426 00:31:16,410 --> 00:31:20,250 Leonard Box, the victim of his own carnal greed. 427 00:31:20,250 --> 00:31:23,133 A dead end indeed if he murdered the Nazi warlock. 428 00:31:24,120 --> 00:31:28,263 For one of these people has committed murder most foul... 429 00:31:29,220 --> 00:31:30,244 But which one? 430 00:31:30,244 --> 00:31:33,073 (jukebox whirring) 431 00:31:33,073 --> 00:31:35,830 (country rock music plays) 432 00:31:35,830 --> 00:31:36,663 - Thanks, Alice. 433 00:31:36,663 --> 00:31:37,496 - Sir? 434 00:31:37,496 --> 00:31:38,523 - [Customer] Please. 435 00:31:38,523 --> 00:31:40,688 - Tuna sand, order of fries to go! 436 00:31:40,688 --> 00:31:43,355 (meat sizzling) 437 00:31:47,125 --> 00:31:47,995 - Thanks. 438 00:31:47,995 --> 00:31:49,995 - You're welcome, Ken. 439 00:31:54,595 --> 00:31:55,428 Here you are. 440 00:31:55,428 --> 00:31:56,365 - Looks good. 441 00:31:56,365 --> 00:31:59,698 (police siren wailing) 442 00:32:16,024 --> 00:32:17,690 - [Responder] Breaker break, Honey Bucket out of Steeltown. 443 00:32:17,690 --> 00:32:20,873 Who's got a copy out there of the local bear report? 444 00:32:22,205 --> 00:32:24,573 (engine shuts off) 445 00:32:24,573 --> 00:32:25,830 - Well, looks like Homer's gonna 446 00:32:25,830 --> 00:32:27,589 meet his quota again this month. 447 00:32:27,589 --> 00:32:29,550 (country rock music continues) 448 00:32:29,550 --> 00:32:31,263 How's the sausage and eggs coming? 449 00:32:31,263 --> 00:32:33,212 - Here you are, babe. 450 00:32:40,140 --> 00:32:42,510 - Best you get your ass back in the patrol car with me. 451 00:32:42,510 --> 00:32:43,343 - Groovy! 452 00:32:45,181 --> 00:32:48,032 (country rock music continues) 453 00:32:48,032 --> 00:32:49,140 - [Receiver] Break one-niner! 454 00:32:49,140 --> 00:32:51,330 You're in Westpoint country, Black Pussy. 455 00:32:51,330 --> 00:32:53,340 Can't give you a good bear report right now, 456 00:32:53,340 --> 00:32:54,720 so keep your ears on. 457 00:32:54,720 --> 00:32:55,673 Bye! 458 00:32:58,180 --> 00:33:00,600 - You wanna feel my tits? 459 00:33:00,600 --> 00:33:02,793 - You trying to bribe a peace officer? 460 00:33:03,937 --> 00:33:05,137 - What are you looking at? 461 00:33:05,137 --> 00:33:07,420 - I'm just looking, that's all. 462 00:33:08,836 --> 00:33:10,245 - I give good head. 463 00:33:10,245 --> 00:33:12,161 - [Receiver] Bugger's got more guts than a fox 464 00:33:12,161 --> 00:33:14,580 casing a hen house, 10-4. 465 00:33:14,580 --> 00:33:16,770 - Never had any bad head. 466 00:33:16,770 --> 00:33:17,707 - [Responder] What's the beaver look like? 467 00:33:17,707 --> 00:33:19,863 This is a big 10-4! 468 00:33:20,970 --> 00:33:22,050 - [Receiver] 10-fiver, the seat cover 469 00:33:22,050 --> 00:33:24,660 looks good to Honey Bucket. Like I said... 470 00:33:24,660 --> 00:33:26,113 - [Foxy Woman] This will speed it up. 471 00:33:26,977 --> 00:33:28,080 (quacking sound) 472 00:33:28,080 --> 00:33:29,102 - [Receiver] ...When there's a chance 473 00:33:29,102 --> 00:33:30,610 of getting his chicken choked. 474 00:33:30,610 --> 00:33:34,183 The bubblegum machine ain't gonna move for quite a spell. 475 00:33:34,183 --> 00:33:37,016 (pants unzipping) 476 00:33:37,890 --> 00:33:38,970 - [Responder] Breaker break! 477 00:33:38,970 --> 00:33:42,180 Chipmunk says Honey Bucket's passing gas! 478 00:33:42,180 --> 00:33:44,910 Don't drop on it unless your ass is covered. 479 00:33:44,910 --> 00:33:45,743 10-4! 480 00:33:46,680 --> 00:33:47,580 - [Receiver] Break break! 481 00:33:47,580 --> 00:33:49,020 Am I hitting you, Honey Bucket? 482 00:33:49,020 --> 00:33:51,345 This is Mullholland Key out of Gurneyville. 483 00:33:51,345 --> 00:33:53,453 Give me your home copy. 484 00:33:53,453 --> 00:33:54,690 - [Responder] Break 1-fiver. 485 00:33:54,690 --> 00:33:55,987 I got a copy. 486 00:33:55,987 --> 00:33:57,953 Keep your ears on and Honey Bucket will confirm 487 00:33:57,953 --> 00:34:01,530 that Smokey's wiped out on my second pass. 488 00:34:01,530 --> 00:34:03,030 - [Honey Bucket] Break break, what's all this fuss 489 00:34:03,030 --> 00:34:05,538 about Smokey getting his chicken choked? 490 00:34:05,538 --> 00:34:07,496 Black Pussy's got a better way to slide- 491 00:34:07,496 --> 00:34:10,328 (ground beef sizzles) (country rock music continues) 492 00:34:12,183 --> 00:34:13,380 - [Town Local] Well, I guess Homer's 493 00:34:13,380 --> 00:34:15,540 getting his lube job early today. 494 00:34:15,540 --> 00:34:16,680 - [Receiver] Dropped off a load of Horner 495 00:34:16,680 --> 00:34:18,690 and Belcher's flats and caught the action. 496 00:34:18,690 --> 00:34:20,735 The county Mountie is letting it all hang out 497 00:34:20,735 --> 00:34:22,283 right in the middle of town. 498 00:34:22,283 --> 00:34:23,117 10-4! 499 00:34:24,091 --> 00:34:26,108 - [Responder] Break, break. You payin' attention... 500 00:34:26,108 --> 00:34:28,564 - Say, will you look at that gal's head go! 501 00:34:28,564 --> 00:34:29,905 (truck honks) 502 00:34:29,905 --> 00:34:30,870 - [Responder] Break 1-fiver. 503 00:34:30,870 --> 00:34:32,625 Just passed Smokey dribbling 504 00:34:32,625 --> 00:34:35,160 with a foxy lady's head and hanging in hard. 505 00:34:35,160 --> 00:34:37,170 Hey, Chipmunk, you might catch the curtain 506 00:34:37,170 --> 00:34:38,875 if you lean on the hammer fast. 507 00:34:38,875 --> 00:34:39,908 10-4 and cut! 508 00:34:41,550 --> 00:34:42,930 - [Race Announcer] They're all well bunched now 509 00:34:42,930 --> 00:34:45,600 with Mary Murr down the backside in between 510 00:34:45,600 --> 00:34:47,580 Erica's Dwelling and Christy's Hollow. 511 00:34:47,580 --> 00:34:48,967 And moving up is Valiant, Sleepy, 512 00:34:48,967 --> 00:34:52,080 but coming through is Dildo Danny! 513 00:34:52,080 --> 00:34:54,076 In the middle of the track here comes... 514 00:34:54,076 --> 00:34:56,356 (Homer moans loudly) 515 00:34:56,356 --> 00:34:58,523 (screams) 516 00:35:01,860 --> 00:35:03,743 - [Black Pussy] Break break, now what wise-ass 517 00:35:03,743 --> 00:35:05,640 packed in boners? This is Black Pussy 518 00:35:05,640 --> 00:35:08,130 in a freight line of parts south of Bimbo Lake. 519 00:35:08,130 --> 00:35:09,960 Super horny and hot to trot. 520 00:35:09,960 --> 00:35:11,280 Leave open your switches. 521 00:35:11,280 --> 00:35:13,050 I'll talk you all four in. 522 00:35:13,050 --> 00:35:15,120 First motherfucker that kisses my tractor 523 00:35:15,120 --> 00:35:18,116 will tangle with more than he can handle. 10-4! 524 00:35:18,116 --> 00:35:20,340 (country rock music continues) 525 00:35:20,340 --> 00:35:21,420 - [Receiver] Break break! 526 00:35:21,420 --> 00:35:22,907 Am I hitting you, Dicky Bird? 527 00:35:22,907 --> 00:35:24,898 This is Ho-Hen Ladda Fortuna. 528 00:35:24,898 --> 00:35:26,895 - There, less than half a minute. 529 00:35:26,895 --> 00:35:29,236 - Now, ma'am, consider this a warning. 530 00:35:29,236 --> 00:35:30,720 Let go, you greedy cunt! 531 00:35:30,720 --> 00:35:33,060 Now, get your ass out of here before that I remember 532 00:35:33,060 --> 00:35:35,403 that I represent law and order around here. 533 00:35:37,749 --> 00:35:39,356 (fingers snap) 534 00:35:39,356 --> 00:35:41,856 - Better give me that warning. 535 00:35:43,604 --> 00:35:45,687 (laughs) 536 00:35:52,724 --> 00:35:55,141 (car starting) 537 00:35:56,994 --> 00:35:57,827 - Shit! 538 00:35:57,827 --> 00:36:00,760 What the fuck does that cunt think she's doing? 539 00:36:00,760 --> 00:36:02,218 (pants zipping) 540 00:36:03,423 --> 00:36:04,256 . [Rufus] Break break! 541 00:36:04,256 --> 00:36:05,250 Big Rufus here! 542 00:36:05,250 --> 00:36:07,100 Just passed Bimbo and Father Neat 543 00:36:07,100 --> 00:36:08,700 money rig's ringin' around the freight line. 544 00:36:08,700 --> 00:36:10,950 Tried to get a copy, but everybody had his ears on. 545 00:36:10,950 --> 00:36:13,116 Anybody out there know what's going on? 546 00:36:13,116 --> 00:36:13,949 10-4! 547 00:36:16,625 --> 00:36:19,116 - [Man] Say, George, come here. 548 00:36:19,116 --> 00:36:22,112 (whispers) Is that who we're paying our taxes for? 549 00:36:22,412 --> 00:36:24,633 ♪ Better get your motor running ♪ 550 00:36:24,633 --> 00:36:26,092 ♪ 'Cause your daddy's coming home tonight ♪ 551 00:36:26,092 --> 00:36:27,753 - Hey! 552 00:36:27,753 --> 00:36:28,586 Say, Homer. 553 00:36:32,193 --> 00:36:34,710 What's happened to our beautiful law and order community? 554 00:36:34,710 --> 00:36:36,570 Two killings in as many days. 555 00:36:36,570 --> 00:36:39,960 Adolph Schwartz's bones picked clean by a big fat fish. 556 00:36:39,960 --> 00:36:42,090 In his own bathtub! 557 00:36:42,090 --> 00:36:44,910 And that nice kid, Leonard Box, broken into by some chick. 558 00:36:44,910 --> 00:36:45,780 - [Homer] Bullshit! 559 00:36:45,780 --> 00:36:48,420 The one involving the girl was an accidental death. 560 00:36:48,420 --> 00:36:50,790 - [Paul] Better give me the facts, Homer. 561 00:36:50,790 --> 00:36:52,650 Sounds pretty kinky to me. 562 00:36:52,650 --> 00:36:53,790 - Hi, Rafe. The usual? 563 00:36:53,790 --> 00:36:56,660 - Yes, Alice, but this time I'd like French bread. 564 00:36:56,660 --> 00:36:57,493 - Okay. 565 00:36:57,493 --> 00:36:58,897 - I can't buy that. 566 00:36:58,897 --> 00:37:00,617 - Hi, Homer. 567 00:37:00,617 --> 00:37:02,730 Honey, a Hay Baler for Rafe. 568 00:37:02,730 --> 00:37:05,490 Well, come on! Back to the lagoon! 569 00:37:05,490 --> 00:37:06,746 - [Paul] Slave driver. 570 00:37:06,746 --> 00:37:08,418 (Alice shrieks) 571 00:37:08,418 --> 00:37:11,490 - Homer, I hear that chick involved in the accident 572 00:37:11,490 --> 00:37:14,490 with the Box boy is a real looker. 573 00:37:14,490 --> 00:37:16,170 Wild name, too: 574 00:37:16,170 --> 00:37:17,850 Margo Winchester. 575 00:37:17,850 --> 00:37:18,810 - Is that what they say? 576 00:37:18,810 --> 00:37:19,973 - And why not? 577 00:37:21,180 --> 00:37:23,703 - Okay, but nothing better to do with my time. 578 00:37:29,690 --> 00:37:33,460 ♪ How's your hotblooded woman... ♪ 579 00:37:33,460 --> 00:37:35,343 - About this Margo Winchester. 580 00:37:36,180 --> 00:37:37,180 Give me the lowdown. 581 00:37:41,400 --> 00:37:42,933 - You know I like big tits. 582 00:37:44,101 --> 00:37:45,390 Well, I've been converted. 583 00:37:46,130 --> 00:37:49,933 Margo's got the wildest performing ass I ever bellied up to. 584 00:37:51,099 --> 00:37:55,170 Now, don't get me wrong, her knockers are big and super, 585 00:37:55,170 --> 00:37:57,870 with nipples that other broads wish they had for tits. 586 00:37:58,740 --> 00:38:00,450 Backdoor ass. 587 00:38:00,450 --> 00:38:03,090 I had her headed into the corner last night. 588 00:38:03,090 --> 00:38:05,730 On her knees, right? 589 00:38:05,730 --> 00:38:08,610 Well, damn, did it blow my fucking mind. 590 00:38:08,610 --> 00:38:11,550 Looks like you could use another hand at the counter! 591 00:38:11,550 --> 00:38:12,383 - Oh, I sure could. 592 00:38:12,383 --> 00:38:14,210 You see that sign in the window outside? 593 00:38:18,300 --> 00:38:20,403 It's been there for two weeks, no takers. 594 00:38:25,110 --> 00:38:27,311 - I know someone who'd sell a lot of hot dogs. 595 00:38:27,311 --> 00:38:28,980 - Oh, sounds like somebody we know. 596 00:38:28,980 --> 00:38:31,080 - Maybe you wouldn't want this sex machine 597 00:38:31,080 --> 00:38:32,880 exposed to your old man. 598 00:38:32,880 --> 00:38:36,127 - After me, she's welcome to the leavings. 599 00:38:38,181 --> 00:38:39,600 - How about a little leavings right now? 600 00:38:39,600 --> 00:38:41,703 - Business first, my customers. 601 00:38:42,720 --> 00:38:46,063 Then I'll try to squeeze you in this afternoon. 602 00:38:53,191 --> 00:38:54,741 (Alice laughs) 603 00:38:54,741 --> 00:38:57,178 - [Alice] Not so fast! 604 00:38:57,178 --> 00:38:58,770 The rocks are hurting my feet! 605 00:38:58,770 --> 00:39:00,490 - [Paul] We haven't got all day! 606 00:39:00,490 --> 00:39:02,298 (both laugh) 607 00:39:02,298 --> 00:39:05,715 (gentle orchestral music) 608 00:39:17,418 --> 00:39:19,918 (Alice moaning) 609 00:40:05,088 --> 00:40:08,896 (gentle orchestral music continues) 610 00:40:42,179 --> 00:40:44,929 (louder moaning) 611 00:41:01,320 --> 00:41:05,250 - [Chorus] One step beyond the abyss of ecstasy. 612 00:41:05,250 --> 00:41:07,410 Yet, does the face of the gelded Hun 613 00:41:07,410 --> 00:41:10,740 impose itself upon the visage of the moment's lover? 614 00:41:10,740 --> 00:41:12,660 Is the mystery buried forever 'neath 615 00:41:12,660 --> 00:41:15,360 the sucking slush of the Grimpen Mire? 616 00:41:15,360 --> 00:41:17,820 Or is it blatantly before our eyes? 617 00:41:17,820 --> 00:41:19,710 Murder most foul, 618 00:41:19,710 --> 00:41:21,070 but murder will out! 619 00:41:21,070 --> 00:41:23,812 (country rock music playing) 620 00:41:23,812 --> 00:41:26,670 ♪ Been a long time coming ♪ 621 00:41:26,670 --> 00:41:27,503 - Hurry back. 622 00:41:32,310 --> 00:41:33,753 - Pam sand on whole wheat, hold the mustard, 623 00:41:33,753 --> 00:41:35,910 side of potato salad. Two hot turkey sand, 624 00:41:35,910 --> 00:41:37,143 heavy gravy on one! 625 00:41:38,760 --> 00:41:40,140 - [Man Wearing Hat] Hey, hey! 626 00:41:40,140 --> 00:41:42,140 (truck honks) 627 00:41:42,140 --> 00:41:44,313 - [Eager Man] Hurry up, men! 628 00:41:44,313 --> 00:41:47,634 I bet they're like a pair of honeydews! 629 00:41:47,634 --> 00:41:52,634 (crowd chatter) (jukebox whirring) 630 00:41:52,944 --> 00:41:54,305 - Now, you hurry back. 631 00:41:54,305 --> 00:41:56,722 (rock music) 632 00:41:58,892 --> 00:42:00,596 ♪ Lyin', Lyin' to me ♪ 633 00:42:00,596 --> 00:42:01,429 - Jesus! 634 00:42:02,555 --> 00:42:03,722 Thanks, Rufus. 635 00:42:06,097 --> 00:42:09,156 ♪ The only woman that I care about ♪ 636 00:42:09,156 --> 00:42:12,146 - Where'd all this business come from? 637 00:42:12,446 --> 00:42:14,864 As if I didn't know. 638 00:42:14,864 --> 00:42:16,316 - I'll see you when I get off. 639 00:42:16,316 --> 00:42:17,491 - Suppose I start get-- 640 00:42:20,775 --> 00:42:23,405 ♪ Make everything all right ♪ 641 00:42:23,405 --> 00:42:27,285 ♪ Enough amusement 'fore the morning light, oh hey ♪ 642 00:42:27,285 --> 00:42:28,920 ♪ Bartender, please ♪ 643 00:42:28,920 --> 00:42:29,753 - [Margo] Hi. 644 00:42:29,753 --> 00:42:32,455 - Double chili, heavy mustard, but hold the onions. 645 00:42:32,455 --> 00:42:33,638 - Got it. 646 00:42:33,738 --> 00:42:35,856 Double chili, heavy mustard, but hold the onions. 647 00:42:35,856 --> 00:42:36,689 - I know. 648 00:42:36,689 --> 00:42:38,670 Double chili-sized, heavy on the mustard, 649 00:42:38,670 --> 00:42:39,930 and hold the onions. 650 00:42:39,930 --> 00:42:41,085 - [Margo] You've got it. 651 00:42:41,085 --> 00:42:42,510 - Homer's right. 652 00:42:42,510 --> 00:42:44,490 You do attract customers. 653 00:42:44,490 --> 00:42:46,203 - Maybe it's my personality. 654 00:42:47,692 --> 00:42:50,433 ♪ The only woman that I care about ♪ 655 00:42:50,433 --> 00:42:52,567 Better hurry up with that hot dog. 656 00:42:54,999 --> 00:42:56,799 ♪ Bartender, please ♪ 657 00:42:56,799 --> 00:42:58,144 - Isn't she a doll? 658 00:42:58,144 --> 00:42:59,280 I'm almost ashamed of what I'm paying her, 659 00:42:59,280 --> 00:43:01,180 but I suppose the tips make up for it. 660 00:43:03,330 --> 00:43:05,144 What a can on that chick. 661 00:43:05,144 --> 00:43:06,327 - Yeah. 662 00:43:06,327 --> 00:43:07,160 Not bad. 663 00:43:09,600 --> 00:43:11,600 Looks like we're really making it, baby. 664 00:43:13,140 --> 00:43:14,173 Really making it. 665 00:43:15,155 --> 00:43:18,195 ♪ The only woman that I cared about ♪ 666 00:43:18,195 --> 00:43:22,056 ♪ But she's been lyin', yes, yes, she's lyin' ♪ 667 00:43:22,056 --> 00:43:25,473 ♪ She's been lyin' to me ♪ 668 00:43:31,920 --> 00:43:34,350 - Oh, honey, I think we'd better double 669 00:43:34,350 --> 00:43:36,360 the frankfurter and hamburger order. 670 00:43:36,360 --> 00:43:37,380 - Yeah. 671 00:43:37,380 --> 00:43:39,760 Anything else you can think of, babe? 672 00:43:39,960 --> 00:43:43,715 - Just don't lift anything heavy. 673 00:43:43,715 --> 00:43:46,132 (van starting) 674 00:43:54,883 --> 00:43:57,466 (truck starting) 675 00:44:05,220 --> 00:44:06,210 - I want you to know that you've been 676 00:44:06,210 --> 00:44:07,920 a real help to us, Margo. 677 00:44:07,920 --> 00:44:09,150 We appreciate it. 678 00:44:09,150 --> 00:44:10,980 - Anything to pass the time. 679 00:44:10,980 --> 00:44:12,676 Homer's tied up during the day. 680 00:44:12,676 --> 00:44:13,710 (Homer and woman moaning) 681 00:44:13,710 --> 00:44:15,660 - What's on your program now? 682 00:44:15,660 --> 00:44:18,240 Like to take a ride up to Garberville for supplies? 683 00:44:18,240 --> 00:44:19,200 - Feel like a swim. 684 00:44:19,200 --> 00:44:21,180 Found a great spot on Salmon Creek. 685 00:44:21,180 --> 00:44:23,730 About two miles upstream from Homer's place. 686 00:44:23,730 --> 00:44:26,490 Deep pool, beautiful surroundings. 687 00:44:26,490 --> 00:44:27,990 I'm heading there now. 688 00:44:27,990 --> 00:44:30,480 - I'd like to strap you on sometime. 689 00:44:30,480 --> 00:44:31,313 - That's a good line. 690 00:44:31,313 --> 00:44:32,583 I've used it once myself. 691 00:44:33,450 --> 00:44:35,274 Better get your supplies. 692 00:44:35,274 --> 00:44:37,691 (country rock music) 693 00:44:43,204 --> 00:44:45,093 ♪ Sweet satin lady ♪ 694 00:44:45,093 --> 00:44:46,902 ♪ Come on and show me ♪ 695 00:44:46,902 --> 00:44:48,655 ♪ Sweet Jezebel ♪ 696 00:44:48,655 --> 00:44:50,535 ♪ Come on and show me ♪ 697 00:44:50,535 --> 00:44:53,453 ♪ I'm taking the life you're leading ♪ 698 00:44:53,453 --> 00:44:57,923 ♪ Of fancy bars and fancy hotels ♪ 699 00:44:57,923 --> 00:44:59,702 ♪ Sweet smell of money ♪ 700 00:44:59,702 --> 00:45:04,702 ♪ They tell me that's the fragrance you wear ♪ 701 00:45:05,121 --> 00:45:08,062 ♪ You're hanging in a stranger's arms ♪ 702 00:45:08,062 --> 00:45:12,643 ♪ Smiling, putting on with all your charms ♪ 703 00:45:12,643 --> 00:45:17,409 ♪ There's someplace else you'd rather be ♪ 704 00:45:17,409 --> 00:45:18,763 (Paul whistles) 705 00:45:18,763 --> 00:45:21,243 - [Paul] How's the water? 706 00:45:21,243 --> 00:45:22,931 - [Margo] What's the hurry? 707 00:45:22,931 --> 00:45:25,422 We've got plenty of time. 708 00:45:25,422 --> 00:45:26,255 - Come on! 709 00:45:26,255 --> 00:45:27,312 - Woo! 710 00:45:27,312 --> 00:45:30,280 (both laughing) 711 00:45:30,280 --> 00:45:32,651 ♪ Come over, others you've known ♪ 712 00:45:32,651 --> 00:45:34,249 ♪ Come on and show me ♪ 713 00:45:34,249 --> 00:45:37,001 ♪ Show me I wasn't wrong ♪ 714 00:45:37,001 --> 00:45:40,419 ♪ To leave my happy home ♪ 715 00:45:40,419 --> 00:45:44,059 ♪ And I'll show you a fortune ♪ 716 00:45:44,059 --> 00:45:48,779 ♪ Full of love ♪ 717 00:45:48,779 --> 00:45:52,417 ♪ Gonna give you a country home ♪ 718 00:45:52,417 --> 00:45:56,390 ♪ Never ever gonna leave you alone ♪ 719 00:45:56,390 --> 00:46:01,390 ♪ Come on and make a life with me ♪ 720 00:46:01,899 --> 00:46:04,790 ♪ My sweet satin lady ♪ 721 00:46:04,790 --> 00:46:08,290 (Paul and Margo laughing) 722 00:46:10,521 --> 00:46:13,034 ♪ Show me I'm different ♪ 723 00:46:13,034 --> 00:46:14,538 ♪ Come on and show me ♪ 724 00:46:14,538 --> 00:46:15,979 ♪ From all the others you've known ♪ 725 00:46:15,979 --> 00:46:18,099 (moaning) 726 00:46:18,099 --> 00:46:20,898 ♪ Show me I wasn't wrong ♪ 727 00:46:20,898 --> 00:46:24,409 ♪ To leave my happy home ♪ 728 00:46:24,409 --> 00:46:28,007 ♪ And I'll show you a fortune ♪ 729 00:46:28,007 --> 00:46:32,699 ♪ Full of love and happiness ♪ 730 00:46:32,699 --> 00:46:36,270 ♪ Gonna build you a country home ♪ 731 00:46:36,270 --> 00:46:40,278 ♪ Never ever gonna leave you alone ♪ 732 00:46:40,278 --> 00:46:44,889 ♪ Come on and make a life with me ♪ 733 00:46:44,889 --> 00:46:48,187 ♪ My sweet satin lady ♪ 734 00:46:48,187 --> 00:46:51,520 (tense orchestral music) 735 00:46:53,368 --> 00:46:57,285 (Homer and woman moaning) 736 00:47:12,038 --> 00:47:15,121 (electricity buzzing) (woman screaming) 737 00:47:22,065 --> 00:47:24,224 (car honks) 738 00:47:24,224 --> 00:47:26,904 - Come on, we gotta get your ass out of here! 739 00:47:28,962 --> 00:47:31,962 Back to the reservation, Pocahontas! 740 00:47:34,373 --> 00:47:37,181 (tense orchestral music continues) 741 00:47:46,720 --> 00:47:50,850 (water running) (Homer screams) 742 00:47:50,850 --> 00:47:53,070 - [Margo] Ooh, it's all red. 743 00:47:53,070 --> 00:47:55,322 Looks likes you've been fucking an Indian. 744 00:47:55,322 --> 00:47:57,905 (Chorus moans) 745 00:47:59,490 --> 00:48:01,770 - The murder still cries out for vengeance. 746 00:48:01,770 --> 00:48:04,260 The murderer still walks among us. 747 00:48:04,260 --> 00:48:06,030 Do his eyes betray him? 748 00:48:06,030 --> 00:48:07,710 Or is it his emotions? 749 00:48:07,710 --> 00:48:09,990 The frenzy of passion by which he endeavors 750 00:48:09,990 --> 00:48:12,540 to bury the guilt of his deed. 751 00:48:12,540 --> 00:48:16,020 Paul, a lean and hustling visage. 752 00:48:16,020 --> 00:48:18,030 A man of many thrusts, 753 00:48:18,030 --> 00:48:20,520 his hammer beating out a relentless tattoo 754 00:48:20,520 --> 00:48:23,010 against the soft underbellies of his prey, 755 00:48:23,010 --> 00:48:26,130 quenching only his own rapacious thirst. 756 00:48:26,130 --> 00:48:30,030 His gaze veiled by the burnished glimmer of the golden load, 757 00:48:30,030 --> 00:48:31,860 sacked by the modern Visigoths 758 00:48:31,860 --> 00:48:34,210 from the capitals of Christendom. 759 00:48:34,210 --> 00:48:35,880 (moans) 760 00:48:35,880 --> 00:48:37,290 Or Margo, 761 00:48:37,290 --> 00:48:39,660 of mellifluous, mucoid myrrh, 762 00:48:39,660 --> 00:48:42,180 thrusting her best breast forward. 763 00:48:42,180 --> 00:48:43,710 Why is she here? 764 00:48:43,710 --> 00:48:45,330 Plundering the strength and draining 765 00:48:45,330 --> 00:48:47,250 the sacks of men at will. 766 00:48:47,250 --> 00:48:50,940 Lust and desire, molded in the flawless configuration 767 00:48:50,940 --> 00:48:53,460 that is Nietzsche's superwoman. 768 00:48:53,460 --> 00:48:56,190 And Alice, steadfast wife, 769 00:48:56,190 --> 00:48:58,560 sharing the everyday problems and pleasure 770 00:48:58,560 --> 00:49:00,660 of marital bliss with her lord, 771 00:49:00,660 --> 00:49:01,890 faithful to the letter, 772 00:49:01,890 --> 00:49:03,810 even considering that her transgressions 773 00:49:03,810 --> 00:49:06,030 with the dusky lesbian transgressed 774 00:49:06,030 --> 00:49:08,880 upon the sanctity of a connubial ecstasy. 775 00:49:08,880 --> 00:49:10,680 Tempting the palate of man, 776 00:49:10,680 --> 00:49:14,970 both gourmand and gourmet name her escopié. 777 00:49:14,970 --> 00:49:19,113 Yet too much goodness can of itself hint evil. 778 00:49:19,980 --> 00:49:22,230 'Tis a pity she's a whore. 779 00:49:22,230 --> 00:49:26,010 Or Homer, the ex-champion of law and order, 780 00:49:26,010 --> 00:49:29,520 and a carnivorous appetite for sexual excess; 781 00:49:29,520 --> 00:49:31,830 a bull in the arena of dalliance, 782 00:49:31,830 --> 00:49:34,920 every encounter an Olympic decathlon-- 783 00:49:34,920 --> 00:49:39,920 Ten major events of prodigious, pornographic portrayals. 784 00:49:39,960 --> 00:49:43,293 And Gwendolyn, the dark horse in the murder sweepstakes. 785 00:49:44,130 --> 00:49:46,530 What was once a duo is now a double duo. 786 00:49:46,530 --> 00:49:49,860 What was once a quartet is now a trio. 787 00:49:49,860 --> 00:49:54,810 Gwendolyn coming not between Paul and Alice, but with them, 788 00:49:54,810 --> 00:49:57,810 each mindful of the other's Congo connection. 789 00:49:57,810 --> 00:50:00,420 Lest she create the impression that she was faithless, 790 00:50:00,420 --> 00:50:03,600 did Gwendolyn open Pandora's box once too often, 791 00:50:03,600 --> 00:50:07,110 unleashing spirits of Desdemona and her hapless Moor? 792 00:50:07,110 --> 00:50:09,750 Aye, there's the rub. 793 00:50:09,750 --> 00:50:12,300 And then those hardly worth considering, 794 00:50:12,300 --> 00:50:15,780 is their seeming innocence a cloak for deeper malevolence? 795 00:50:15,780 --> 00:50:18,690 Rafe, woven from the wild ram, 796 00:50:18,690 --> 00:50:21,420 rising like a rock of Gibraltar. 797 00:50:21,420 --> 00:50:23,040 The Ethiopian Chef. 798 00:50:23,040 --> 00:50:25,950 The black sheep is not always the leader of the pack. 799 00:50:25,950 --> 00:50:27,960 The chesty young thing! 800 00:50:27,960 --> 00:50:30,000 The mortar to the pestle, 801 00:50:30,000 --> 00:50:32,150 pulverizing the seed of the gendarmerie. 802 00:50:33,120 --> 00:50:34,500 Leonard Box. 803 00:50:34,500 --> 00:50:36,720 Though dead men tell no tales, 804 00:50:36,720 --> 00:50:39,660 should this stone be left unturned? 805 00:50:39,660 --> 00:50:43,110 Limehouse, tenderly pressed of satiny pearls. 806 00:50:43,110 --> 00:50:46,440 Half an hour later, would she murder again? 807 00:50:46,440 --> 00:50:47,550 Headsperson, 808 00:50:47,550 --> 00:50:50,070 an abyss of bottomless gluttony, 809 00:50:50,070 --> 00:50:53,280 milking life's flowing ebb at the master's command. 810 00:50:53,280 --> 00:50:56,130 Truly the only tongue that is understood by the savage 811 00:50:56,130 --> 00:50:57,840 must be the tongue of fire that speaks 812 00:50:57,840 --> 00:50:59,429 from the mouth of the cannon. 813 00:50:59,429 --> 00:51:01,350 (screaming) 814 00:51:01,350 --> 00:51:03,330 Now you've seen them, seen them all, 815 00:51:03,330 --> 00:51:05,820 the common victims of a tragic fall. 816 00:51:05,820 --> 00:51:07,110 But which one? 817 00:51:07,110 --> 00:51:09,540 As he or she couples in illicit dalliance 818 00:51:09,540 --> 00:51:11,970 with strangers in the primeval forest, 819 00:51:11,970 --> 00:51:14,940 then does the face of the dying Teuton impose itself 820 00:51:14,940 --> 00:51:17,010 upon the features of the moment's lover? 821 00:51:17,010 --> 00:51:20,763 Or do cries of ecstasy mingle with memories of destruction? 822 00:51:25,110 --> 00:51:27,310 - [Alice] A little higher on your end, Fred! 823 00:51:30,870 --> 00:51:31,703 - How's this, babe? 824 00:51:31,703 --> 00:51:33,330 Straight? 825 00:51:33,330 --> 00:51:34,163 - Yeah. 826 00:51:34,163 --> 00:51:35,253 Okay, snug it off! 827 00:51:43,020 --> 00:51:45,720 - Big night tonight, eh, Alice? 828 00:51:45,720 --> 00:51:47,610 You two have really done well for yourselves, 829 00:51:47,610 --> 00:51:48,747 opening up a new place. 830 00:51:48,747 --> 00:51:51,540 - Oh, don't say anything, but I've decided 831 00:51:51,540 --> 00:51:53,670 to do something really nice for Margo. 832 00:51:53,670 --> 00:51:56,430 - She's really looking forward to the action tonight. 833 00:51:56,430 --> 00:51:58,710 Wait 'til you see what she's wearing. 834 00:51:58,710 --> 00:52:00,844 Or lack of it. (Alice giggles) 835 00:52:00,844 --> 00:52:02,820 I'm afraid I'll be late for the show. 836 00:52:02,820 --> 00:52:05,520 I got orders to report to Eureka this afternoon. 837 00:52:05,520 --> 00:52:08,700 Seems some evidence to the fact that the dead Box boy-- 838 00:52:08,700 --> 00:52:10,650 You know, the one that raped Margo? 839 00:52:10,650 --> 00:52:12,750 Had some dealings with Adolph Schwartz. 840 00:52:14,460 --> 00:52:16,860 Might not be anything to it, but you never know. 841 00:52:22,108 --> 00:52:24,525 (car starts) 842 00:52:31,238 --> 00:52:34,697 (dramatic musical stinger) 843 00:52:34,697 --> 00:52:37,697 (upbeat jazz music) 844 00:52:54,588 --> 00:52:57,005 (car starts) 845 00:53:08,043 --> 00:53:11,118 (upbeat jazz music continues) 846 00:53:15,606 --> 00:53:18,023 (music dies) 847 00:53:25,788 --> 00:53:28,538 (dramatic musical stinger) 848 00:53:29,518 --> 00:53:31,935 (country rock music) 849 00:53:35,206 --> 00:53:37,473 - A goddamn flat tire. Of all nights. 850 00:53:38,700 --> 00:53:40,230 Where the hell is Alice? 851 00:53:40,230 --> 00:53:41,430 - Went out about an hour ago. 852 00:53:41,430 --> 00:53:42,570 Said she had to dress. 853 00:53:42,570 --> 00:53:44,100 - Okay, we need about two more of these. 854 00:53:44,100 --> 00:53:46,373 You'll find them in the back room on the top shelf. 855 00:53:48,330 --> 00:53:49,230 - I'm sorry. 856 00:53:49,230 --> 00:53:50,063 Mom called. 857 00:53:50,063 --> 00:53:52,200 Uncle Dave's youngest is in the hospital with a broken leg. 858 00:53:52,200 --> 00:53:54,120 Those damn motorcycles. 859 00:53:54,120 --> 00:53:55,230 Great opening. 860 00:53:55,230 --> 00:53:57,153 Wow, great turnout! 861 00:53:58,481 --> 00:53:59,470 (laughs) 862 00:53:59,470 --> 00:54:00,303 - We need some more beer, babe. 863 00:54:00,303 --> 00:54:01,136 - Okay. 864 00:54:08,550 --> 00:54:10,800 Wow, everyone's having a great time. 865 00:54:10,800 --> 00:54:13,183 - [Paul] Tell George to bring in some more beer, babe. 866 00:54:21,009 --> 00:54:24,009 - [Customer] Hey, Rafe. Where's your axe? 867 00:54:27,349 --> 00:54:29,266 - Cook! Get him an axe! 868 00:54:35,258 --> 00:54:37,419 (Rafe screams) 869 00:54:37,419 --> 00:54:39,139 (dramatic musical stinger) 870 00:54:39,139 --> 00:54:41,449 - Beer, beer, beer! 871 00:54:41,449 --> 00:54:42,282 Beer! 872 00:54:42,282 --> 00:54:43,318 - You freak idiot. 873 00:54:43,318 --> 00:54:44,487 - Beer, beer! 874 00:54:44,487 --> 00:54:45,798 Beer! 875 00:54:45,798 --> 00:54:46,631 Beer! 876 00:55:03,319 --> 00:55:06,189 (drum roll) 877 00:55:06,189 --> 00:55:08,939 (crowd applauding) 878 00:55:17,898 --> 00:55:18,731 - Take it off! 879 00:55:18,731 --> 00:55:19,578 Take it off! 880 00:55:19,578 --> 00:55:20,661 - Aw, shut up! 881 00:55:23,122 --> 00:55:24,897 - Aw, thanks, boys, 882 00:55:24,897 --> 00:55:26,793 for the spontaneous reception. 883 00:55:27,930 --> 00:55:30,270 Paul and Alice asked me to make a speech, 884 00:55:30,270 --> 00:55:31,163 but that's not my style. 885 00:55:31,163 --> 00:55:32,850 - Look at the knockers on that gal. 886 00:55:32,850 --> 00:55:34,746 - Put a nickel in the machine. 887 00:55:34,746 --> 00:55:37,496 (crowd rabbling) 888 00:55:41,476 --> 00:55:43,893 (funky music plays) 889 00:55:46,356 --> 00:55:49,106 (crowd cheering) 890 00:56:04,295 --> 00:56:07,712 (whistles and catcalls) 891 00:56:27,321 --> 00:56:29,071 - Come on, big baby. 892 00:56:38,875 --> 00:56:39,813 Let's try one. 893 00:56:39,813 --> 00:56:40,646 Come on! 894 00:56:43,343 --> 00:56:44,176 Come on! 895 00:56:48,755 --> 00:56:49,712 Drop it! 896 00:56:49,712 --> 00:56:50,545 Come on! 897 00:56:55,581 --> 00:56:59,243 (louder cheering) 898 00:56:59,243 --> 00:57:01,326 Let's have the other one! 899 00:57:18,722 --> 00:57:20,093 - Two for Rafe. 900 00:57:20,093 --> 00:57:23,093 (jazzy dance music) 901 00:57:49,631 --> 00:57:52,030 (dramatic stinger) (man screams) 902 00:57:52,030 --> 00:57:53,050 (Rafe growls) 903 00:57:53,050 --> 00:57:54,333 - Easy, big boy. 904 00:57:56,730 --> 00:57:58,547 Rafe wants an encore. 905 00:58:03,181 --> 00:58:04,264 - Beer! Beer! 906 00:58:23,759 --> 00:58:24,600 - Better call Smokey. 907 00:58:24,600 --> 00:58:27,140 Rafe's, uh... 908 00:58:27,140 --> 00:58:27,973 - [Alice] Who's Smokey? 909 00:58:27,973 --> 00:58:28,806 - Homer. 910 00:58:28,806 --> 00:58:30,570 Homer Johnson. He's the only one with the firepower 911 00:58:30,570 --> 00:58:31,980 to quell Rafe when he runs amuck. 912 00:58:31,980 --> 00:58:33,810 - Oh, nonsense, he's groovy. 913 00:58:33,810 --> 00:58:36,360 He's just having a good time. 914 00:58:36,360 --> 00:58:37,193 - Bullshit. 915 00:58:38,910 --> 00:58:40,110 Take the secret passageway 916 00:58:40,110 --> 00:58:42,060 and get your ass to the nearest telephone. 917 00:58:42,060 --> 00:58:44,419 I'll try to keep him in line until you bring help. 918 00:58:44,419 --> 00:58:45,847 - Damn... 919 00:58:45,847 --> 00:58:48,014 I hate the secret passageway. 920 00:58:49,108 --> 00:58:51,382 - [Rafe] Beer! 921 00:58:55,282 --> 00:58:58,007 (jazzy music continues) 922 00:59:19,470 --> 00:59:21,307 - Come on, take your hand off her. 923 00:59:22,993 --> 00:59:25,558 I said take your fucking hand off her! 924 00:59:25,558 --> 00:59:27,420 (bottles shatter) 925 00:59:27,420 --> 00:59:30,278 Take your fucking hand off her, Rafe! 926 00:59:30,278 --> 00:59:31,111 Ahh! 927 00:59:43,926 --> 00:59:44,781 - Hey! 928 00:59:44,781 --> 00:59:46,098 (tense music) 929 00:59:46,098 --> 00:59:47,064 Hey, Rafe! 930 00:59:47,064 --> 00:59:48,128 Put me down! 931 00:59:48,128 --> 00:59:49,467 (shrieks) 932 00:59:49,467 --> 00:59:51,665 What are you doing? 933 00:59:51,665 --> 00:59:53,587 Leave me alone! 934 00:59:53,587 --> 00:59:55,587 (moans) 935 00:59:58,979 --> 01:00:01,729 (crowd cheering) 936 01:00:03,545 --> 01:00:04,962 Get away from me! 937 01:00:06,907 --> 01:00:09,416 - [Alice] Send Homer Johnson right away, okay? 938 01:00:09,416 --> 01:00:10,249 Bye-bye. 939 01:00:13,667 --> 01:00:18,667 (Margo screaming) (music continues) 940 01:00:20,128 --> 01:00:21,737 - [Margo] Make him stop! 941 01:00:21,737 --> 01:00:24,737 (Margo shrieking) 942 01:00:27,889 --> 01:00:30,722 - You bastard, I'm gonna kill you! 943 01:00:38,716 --> 01:00:40,216 - [Margo] Help me! 944 01:00:47,514 --> 01:00:50,990 ("Reveille" trumpet call) 945 01:00:50,990 --> 01:00:53,423 (horse trotting) 946 01:00:55,000 --> 01:00:56,666 (crowd cheering) 947 01:00:56,666 --> 01:00:59,215 - [Margo] Please, won't somebody help me? 948 01:00:59,215 --> 01:01:00,675 - Out here, Rafe! 949 01:01:00,675 --> 01:01:02,508 Come on, Rafe, fuck her! 950 01:01:02,508 --> 01:01:06,008 ("Reveille" trumpet call) (horse trotting) 951 01:01:08,228 --> 01:01:09,999 - [Margo] You're hurting me! 952 01:01:09,999 --> 01:01:11,949 ("Reveille" trumpet call) (horse trotting) 953 01:01:15,374 --> 01:01:16,507 ("Reveille" trumpet call) 954 01:01:16,507 --> 01:01:18,400 - Smokey's a-coming! 955 01:01:18,700 --> 01:01:19,533 - Whoa! 956 01:01:19,533 --> 01:01:20,366 - Smokey? 957 01:01:20,366 --> 01:01:21,876 Come on, let's get out of here! 958 01:01:21,876 --> 01:01:24,940 ("Reveille" trumpet call) 959 01:01:24,940 --> 01:01:27,240 Sorry about that, Rafe. 960 01:01:27,540 --> 01:01:29,153 (Margo screaming) 961 01:01:29,153 --> 01:01:31,052 ("Reveille" trumpet call) 962 01:01:31,052 --> 01:01:34,340 (horse trotting) 963 01:01:34,340 --> 01:01:37,526 (horse neighs) 964 01:01:37,526 --> 01:01:40,889 (tense music continues) 965 01:01:40,889 --> 01:01:41,948 - [Homer] Rafe! 966 01:01:41,948 --> 01:01:43,289 Rafe, get off her, goddammit! 967 01:01:43,289 --> 01:01:44,289 Get off her! 968 01:01:45,218 --> 01:01:47,649 - [Margo] Help me! Please! 969 01:01:47,649 --> 01:01:50,609 Get your filthy thing out of me! 970 01:01:50,609 --> 01:01:52,026 Somebody help me! 971 01:01:53,939 --> 01:01:55,530 (Homer groans) 972 01:02:03,078 --> 01:02:03,911 - Paul? 973 01:02:06,795 --> 01:02:08,377 - [Margo] You're hurting me! 974 01:02:08,377 --> 01:02:09,884 Leave me alone! 975 01:02:09,884 --> 01:02:10,967 - Paul? Paul! 976 01:02:17,450 --> 01:02:18,931 - [Margo] You freak! 977 01:02:18,931 --> 01:02:20,249 Stop hurting me! 978 01:02:20,249 --> 01:02:22,332 - Goddamn son of a bitch! 979 01:02:23,189 --> 01:02:24,281 You killed him! 980 01:02:24,281 --> 01:02:25,781 You killed my man! 981 01:02:30,566 --> 01:02:32,360 - (Homer) God, oh! 982 01:02:32,360 --> 01:02:34,527 (women screaming) 983 01:02:36,499 --> 01:02:37,332 - Help me! 984 01:02:38,619 --> 01:02:39,452 No! 985 01:02:40,960 --> 01:02:41,793 No! 986 01:02:43,120 --> 01:02:45,870 (suspenseful music) 987 01:02:51,837 --> 01:02:53,261 (axe thudding) (dramatic stinger) 988 01:02:53,261 --> 01:02:55,844 (Rafe screams) 989 01:03:02,611 --> 01:03:04,320 - [Homer] There, there. 990 01:03:04,320 --> 01:03:06,900 I got here as fast as I could. 991 01:03:06,900 --> 01:03:08,340 Stop your crying. 992 01:03:08,340 --> 01:03:10,679 Rafe won't bother you anymore. 993 01:03:10,679 --> 01:03:12,301 You'll feel better tomorrow. 994 01:03:12,301 --> 01:03:14,421 You've been through a great deal. 995 01:03:14,421 --> 01:03:16,600 What the hell got into Rafe? 996 01:03:16,600 --> 01:03:19,100 (Rafe growls) 997 01:03:20,621 --> 01:03:21,538 - Look out! 998 01:03:22,624 --> 01:03:23,590 (gun clicks) 999 01:03:23,590 --> 01:03:25,949 - (Homer) Bang, bang, bang! 1000 01:03:25,949 --> 01:03:29,158 (girls screaming) 1001 01:03:29,158 --> 01:03:31,908 (foreboding music) 1002 01:03:33,811 --> 01:03:36,644 (girls screaming) 1003 01:03:44,549 --> 01:03:46,566 (axe creaking) 1004 01:03:47,441 --> 01:03:48,605 (axe popping) 1005 01:03:59,011 --> 01:04:02,597 (girls screaming) 1006 01:04:02,597 --> 01:04:06,113 (suspenseful music continues) 1007 01:04:19,979 --> 01:04:22,504 (dramatic musical stinger) 1008 01:04:26,040 --> 01:04:28,873 (girls screaming) 1009 01:04:31,949 --> 01:04:34,799 (Homer yelling) (dramatic stinger) 1010 01:05:07,667 --> 01:05:10,500 (girls screaming) 1011 01:05:13,908 --> 01:05:17,966 (suspenseful music continues) 1012 01:05:21,047 --> 01:05:23,305 (woman screaming) 1013 01:05:28,312 --> 01:05:30,204 (women screaming) 1014 01:05:38,344 --> 01:05:39,752 - Rosebud! 1015 01:05:39,752 --> 01:05:42,273 'Tis a far, far better thing I do! 1016 01:05:42,273 --> 01:05:43,312 (chainsaw revving) 1017 01:05:43,312 --> 01:05:46,812 ("Reveille" trumpet call) 1018 01:05:48,071 --> 01:05:51,360 (Homer screaming) 1019 01:05:51,360 --> 01:05:52,727 - Homer! 1020 01:05:52,727 --> 01:05:53,566 No! 1021 01:05:53,566 --> 01:05:55,974 (Rafe screaming) 1022 01:06:00,609 --> 01:06:01,442 No! 1023 01:06:04,361 --> 01:06:05,294 Homer! 1024 01:06:06,060 --> 01:06:07,093 Oh, God! 1025 01:06:08,700 --> 01:06:11,100 (Alice screaming) 1026 01:06:11,100 --> 01:06:11,933 - No! - No! 1027 01:06:12,951 --> 01:06:16,451 (Margo and Alice sobbing) 1028 01:06:31,372 --> 01:06:34,789 (gentle orchestral music) 1029 01:06:41,829 --> 01:06:44,981 (dramatic musical stinger) 1030 01:06:44,981 --> 01:06:46,861 - [Chorus] And so the violent joinings 1031 01:06:46,861 --> 01:06:49,207 and sniggering betrayals continue, 1032 01:06:49,207 --> 01:06:51,757 absorbing the players in a quagmire 1033 01:06:51,757 --> 01:06:54,123 of bottomless ecstasy... (playful jazz music plays) 1034 01:06:54,123 --> 01:06:58,560 Caught up in their whirlwind of fire and pain and passion. 1035 01:06:58,560 --> 01:07:00,810 But where does the killer lurk still? 1036 01:07:00,810 --> 01:07:05,810 Unsuspected, unsure, and now disguised... Recall the clue. 1037 01:07:06,642 --> 01:07:08,475 For there are no more. 1038 01:07:10,761 --> 01:07:13,761 (crickets chirping) 1039 01:07:17,874 --> 01:07:19,332 (car door opens) 1040 01:07:21,014 --> 01:07:22,630 (car door shuts) 1041 01:07:29,036 --> 01:07:30,326 (coin inserted) 1042 01:07:30,326 --> 01:07:32,743 (bell rings) 1043 01:07:44,577 --> 01:07:45,983 - [Margo] All right, I'll hang in there. 1044 01:07:45,983 --> 01:07:46,816 10-4. 1045 01:07:50,705 --> 01:07:53,825 (door opens and closes) 1046 01:07:53,825 --> 01:07:56,242 (car starts) 1047 01:08:35,481 --> 01:08:36,822 (car door opens) 1048 01:08:56,603 --> 01:08:58,716 (light switch clicking) 1049 01:08:58,716 --> 01:08:59,549 Hm. 1050 01:09:03,316 --> 01:09:06,316 (jazzy party music playing) 1051 01:09:19,214 --> 01:09:21,633 (dramatic musical stinger) 1052 01:09:21,633 --> 01:09:24,300 (water running) 1053 01:09:27,741 --> 01:09:29,349 (Margo screams) 1054 01:09:29,349 --> 01:09:32,099 (suspenseful music) 1055 01:09:42,608 --> 01:09:43,541 You? 1056 01:09:45,139 --> 01:09:46,137 - Yes, me. 1057 01:09:46,137 --> 01:09:47,820 Sweet little Alice! 1058 01:09:47,820 --> 01:09:49,620 - The least likely suspect. 1059 01:09:49,620 --> 01:09:51,810 - A cop! I should have guessed that you were 1060 01:09:51,810 --> 01:09:53,730 more than just a waitress. 1061 01:09:53,730 --> 01:09:56,070 It was too pat, you and that clod Homer. 1062 01:09:56,070 --> 01:09:57,810 - Guess again, murderess. 1063 01:09:57,810 --> 01:09:59,730 Our relationship was merely a coincidence. 1064 01:09:59,730 --> 01:10:02,970 - That I find difficult to believe. 1065 01:10:02,970 --> 01:10:04,103 Yet fuck it. 1066 01:10:05,250 --> 01:10:08,440 Your death shall be the only significant factor! 1067 01:10:08,440 --> 01:10:11,970 (suspenseful music) 1068 01:10:11,970 --> 01:10:13,642 - [Margo] But why you? 1069 01:10:13,642 --> 01:10:14,475 Your motive? 1070 01:10:14,475 --> 01:10:17,602 - [Alice] The best woman shall be me! 1071 01:10:17,602 --> 01:10:19,710 Margo Winchester, indeed! 1072 01:10:19,710 --> 01:10:22,080 You and your round, muscular ass! 1073 01:10:22,080 --> 01:10:23,753 See what advantage it provides you 1074 01:10:23,753 --> 01:10:25,230 in this fight to the death! 1075 01:10:25,230 --> 01:10:27,690 - [Margo] And when did I reveal my true identity? 1076 01:10:27,690 --> 01:10:29,550 - [Alice] True identity, huh? 1077 01:10:29,550 --> 01:10:31,950 Only the whore that you are! 1078 01:10:33,312 --> 01:10:36,540 - Then if this is the case, why attack me now? 1079 01:10:36,540 --> 01:10:38,090 - You must think me a fool, 1080 01:10:38,882 --> 01:10:40,980 not to know of your raping! 1081 01:10:40,980 --> 01:10:43,701 Yes, raping my beautiful Paul! 1082 01:10:43,701 --> 01:10:44,534 - What? 1083 01:10:44,534 --> 01:10:45,900 For balling your old man? 1084 01:10:45,900 --> 01:10:47,993 A weakling if I ever saw one. And a medium lay at that. 1085 01:10:47,993 --> 01:10:50,250 - But that's only half true. 1086 01:10:50,250 --> 01:10:52,590 Paul possesses both the innocence 1087 01:10:52,590 --> 01:10:54,060 and stupidity of a child, 1088 01:10:54,060 --> 01:10:55,830 and for that he can be forgiven. 1089 01:10:55,830 --> 01:10:59,010 On the other hand, as to his sexual credibility... 1090 01:10:59,010 --> 01:11:01,530 Well, 11 inches is hardly something to sniff at. 1091 01:11:01,530 --> 01:11:03,300 It was only last night as we lay 1092 01:11:03,300 --> 01:11:05,250 locked in liquid fulfillment 1093 01:11:05,250 --> 01:11:08,430 that he sleepily uttered your name. 1094 01:11:08,430 --> 01:11:10,713 Margo Winchester, indeed. 1095 01:11:11,610 --> 01:11:14,040 Yes, your stupid shitty name. 1096 01:11:14,040 --> 01:11:15,240 While he was still contained 1097 01:11:15,240 --> 01:11:17,799 within the confines of my beautiful body! 1098 01:11:17,799 --> 01:11:20,790 (Alice unzipping) (dramatic orchestral music) 1099 01:11:20,790 --> 01:11:21,750 There! 1100 01:11:21,750 --> 01:11:24,130 Now who should wear the mantle of a woman? 1101 01:11:24,130 --> 01:11:25,980 (Margo whistles) 1102 01:11:25,980 --> 01:11:28,149 - Magnificent pecs. 1103 01:11:28,149 --> 01:11:29,970 (gasps) 1104 01:11:29,970 --> 01:11:31,200 - [Alice] Shit. 1105 01:11:31,200 --> 01:11:33,780 But as I was saying, a cleanly defined pelvis! 1106 01:11:33,780 --> 01:11:35,090 But back to Paul! 1107 01:11:35,090 --> 01:11:36,930 A victim of the flesh! 1108 01:11:36,930 --> 01:11:39,858 No weaker, no stronger than any other man! 1109 01:11:39,858 --> 01:11:42,210 - [Margo] Ah! There it is. 1110 01:11:42,210 --> 01:11:44,290 Mark this, flatfoot! (water splashing) 1111 01:11:44,290 --> 01:11:47,910 - No one will toy with my old man's affections. 1112 01:11:47,910 --> 01:11:50,253 I've always protected him from bad influences... 1113 01:11:51,360 --> 01:11:54,210 Even that disgusting fag Adolph. 1114 01:11:54,210 --> 01:11:55,290 - [Margo] Holy shit! 1115 01:11:55,290 --> 01:11:56,940 But why attach such importance 1116 01:11:56,940 --> 01:11:59,460 to your old man being wolfed by Schwartz? 1117 01:11:59,460 --> 01:12:02,010 - Only because he was my father. 1118 01:12:02,010 --> 01:12:03,570 (dramatic sting) - Your father? 1119 01:12:03,570 --> 01:12:05,970 Then your maiden name was Schwartz. 1120 01:12:05,970 --> 01:12:07,799 - Schwartz, my ass! 1121 01:12:07,799 --> 01:12:08,632 (dramatic stinger) 1122 01:12:08,632 --> 01:12:11,370 My true name is Eva Braun Jr. 1123 01:12:11,370 --> 01:12:13,710 The bastard daughter of Adolf Hitler 1124 01:12:13,710 --> 01:12:15,761 and his flaxen-haired mistress. 1125 01:12:15,761 --> 01:12:16,961 (dramatic stinger) 1126 01:12:18,139 --> 01:12:19,800 (Margo gasping) 1127 01:12:19,800 --> 01:12:21,990 - But the charred bodies discovered 1128 01:12:21,990 --> 01:12:23,610 outside the Führerbunker! 1129 01:12:23,610 --> 01:12:26,220 - Mom sacrificed herself for the Fatherland. 1130 01:12:26,220 --> 01:12:28,680 Besides, she was getting along in years, 1131 01:12:28,680 --> 01:12:30,450 and she knew that dad was into young chicks, 1132 01:12:30,450 --> 01:12:34,080 and incest as well, and both were concerned for me, 1133 01:12:34,080 --> 01:12:35,477 their daughter. 1134 01:12:35,477 --> 01:12:37,110 (dramatic musical stinger) 1135 01:12:37,110 --> 01:12:38,790 I'm just wasting time. 1136 01:12:38,790 --> 01:12:40,539 Where the hell's the knife? 1137 01:12:40,539 --> 01:12:42,600 - But the holocaust that was Berlin! 1138 01:12:42,600 --> 01:12:44,010 The Nazi hooligans scurrying 1139 01:12:44,010 --> 01:12:46,470 like rats leaving a sinking ship! 1140 01:12:46,470 --> 01:12:47,303 - [Alice] Oh, here it is. 1141 01:12:47,303 --> 01:12:48,617 - The twilight of the Third Reich! 1142 01:12:48,617 --> 01:12:50,340 (tense orchestral music) 1143 01:12:50,340 --> 01:12:52,056 - Hey, wait a minute! 1144 01:12:52,056 --> 01:12:52,889 Shit. 1145 01:12:52,889 --> 01:12:54,656 - [Margo] Once your day in (indistinct), 1146 01:12:54,656 --> 01:12:56,128 the staggering Russian evidence! 1147 01:12:56,128 --> 01:12:57,636 - Piss on the Russians! 1148 01:12:57,636 --> 01:13:00,707 Zhukov concocted that phony thing to calm Stalin! 1149 01:13:00,707 --> 01:13:02,426 Nobody likes to fail! 1150 01:13:02,426 --> 01:13:04,610 But enough of that historical shit! 1151 01:13:04,610 --> 01:13:07,456 I rubbed out my own father to save my marriage! 1152 01:13:07,456 --> 01:13:08,910 - [Margo] To save your marriage? 1153 01:13:08,910 --> 01:13:09,930 - [Alice] Yes! Quite true! 1154 01:13:09,930 --> 01:13:12,300 Besides, Pop and I could never get it on! 1155 01:13:12,300 --> 01:13:13,800 His thing was young boys, 1156 01:13:13,800 --> 01:13:16,233 and Paul's big joint blew his mind! 1157 01:13:16,233 --> 01:13:18,720 Well, I tried being more broad-minded 1158 01:13:18,720 --> 01:13:19,980 but my old man couldn't perform 1159 01:13:19,980 --> 01:13:22,020 at night with all those matinees! 1160 01:13:22,020 --> 01:13:25,140 Not for love, mind you, but hustling for bread! 1161 01:13:25,140 --> 01:13:28,168 The same dirty rotten money my Pop gouged 1162 01:13:28,168 --> 01:13:30,567 from the hapless filthy rail rodents! 1163 01:13:30,567 --> 01:13:32,850 The very money that he gave to Paul 1164 01:13:32,850 --> 01:13:35,190 for favoring his flabby body! 1165 01:13:35,190 --> 01:13:38,130 Bum kicking my Paul's proud manhood! 1166 01:13:38,130 --> 01:13:41,790 Not to ignore the tainted gold that finances the saloon, 1167 01:13:41,790 --> 01:13:46,380 rather than the apparent success of Alice's Cafe! 1168 01:13:46,380 --> 01:13:49,680 Dad deserved to die like the chauvinist pig he was! 1169 01:13:49,680 --> 01:13:50,940 - [Margo] It's all coming together now. 1170 01:13:50,940 --> 01:13:53,397 This case delivers far more than meets the eye. 1171 01:13:53,397 --> 01:13:55,470 - [Alice] The secret of Eva Braun Jr. 1172 01:13:55,470 --> 01:13:56,947 will die with you, bimbo! 1173 01:13:56,947 --> 01:13:59,430 - [Margo] I'll make you eat those words, shorty! 1174 01:13:59,430 --> 01:14:01,350 - [Alice] Margo Winchester, stop! 1175 01:14:01,350 --> 01:14:05,100 Eternity for you is just around the corner! 1176 01:14:05,100 --> 01:14:08,250 Prepare to taste the black sperm of my vengeance! 1177 01:14:08,250 --> 01:14:10,110 - [Margo] Do kill and revenge really compound 1178 01:14:10,110 --> 01:14:11,823 the obscenity of Adolf Hitler? 1179 01:14:12,838 --> 01:14:16,157 Oh, I know it demands a fair trial by your peers. 1180 01:14:16,157 --> 01:14:18,768 And I, Winchester, will bring you to your knees! 1181 01:14:18,768 --> 01:14:20,966 - That's a crock of shit! 1182 01:14:20,966 --> 01:14:23,716 (dramatic music) 1183 01:14:24,907 --> 01:14:26,102 (gasps) 1184 01:14:26,102 --> 01:14:27,619 (knife plunks in water) 1185 01:14:30,891 --> 01:14:32,740 Now that's more like it. 1186 01:14:32,740 --> 01:14:36,000 It was just a matter of time. 1187 01:14:36,000 --> 01:14:37,025 Or willpower. 1188 01:14:38,942 --> 01:14:41,750 (music swells) 1189 01:14:43,891 --> 01:14:45,891 Hmm. Rosebud. 1190 01:14:45,891 --> 01:14:47,790 I'll get to the bottom of this yet. 1191 01:14:47,790 --> 01:14:52,091 - Ooh, a mounting crescendo of berserk extravaganza! 1192 01:14:52,091 --> 01:14:52,924 Yes! 1193 01:14:52,924 --> 01:14:57,560 But all in a way of introduction to the events to follow! 1194 01:14:57,560 --> 01:14:59,460 (moans) (somber music) 1195 01:14:59,460 --> 01:15:00,720 - [Margo] A truck driver friend of mine 1196 01:15:00,720 --> 01:15:03,480 is heavy into marital aids and such. 1197 01:15:03,480 --> 01:15:05,408 Just last week she dropped off a new 1198 01:15:05,408 --> 01:15:06,733 Frisco trick that (dramatic sting) 1199 01:15:06,733 --> 01:15:09,210 I've been dying to try out. (laughs) 1200 01:15:09,210 --> 01:15:12,510 Gwendolyn claims it offers the best of two worlds. 1201 01:15:12,510 --> 01:15:14,823 If you can imagine what she means. 1202 01:15:15,750 --> 01:15:18,510 - Now, here's a bed that has got a big history. 1203 01:15:18,510 --> 01:15:20,910 It used to belong to this chick named Vixen. 1204 01:15:21,780 --> 01:15:22,943 Winchester. 1205 01:15:24,257 --> 01:15:25,541 Voila! (gunshot rings) 1206 01:15:25,541 --> 01:15:27,958 (dramatic musical stinger) 1207 01:15:28,800 --> 01:15:29,733 Paul! 1208 01:15:31,089 --> 01:15:31,922 Why? 1209 01:15:31,922 --> 01:15:34,453 - Because you fiendishly murdered Mr. Schwartz. 1210 01:15:35,910 --> 01:15:36,943 Poor Adolph... 1211 01:15:37,980 --> 01:15:39,990 So misunderstood. 1212 01:15:39,990 --> 01:15:41,550 So wrongfully condemned for helping 1213 01:15:41,550 --> 01:15:42,870 to rid the world of the mongrels 1214 01:15:42,870 --> 01:15:45,089 that would contaminate us all. 1215 01:15:45,089 --> 01:15:46,839 - You hurt me, Paul. You... 1216 01:15:48,387 --> 01:15:49,420 - Alice... 1217 01:15:50,430 --> 01:15:51,853 The perfect wife. 1218 01:15:52,680 --> 01:15:55,290 My needs, her wants. 1219 01:15:55,290 --> 01:15:57,900 Sweet little Alice. 1220 01:15:57,900 --> 01:16:00,333 So gorgeous, yet so selfish. 1221 01:16:01,950 --> 01:16:02,783 - No! 1222 01:16:04,500 --> 01:16:07,800 - Always craving my beautiful joint, but for herself alone. 1223 01:16:07,800 --> 01:16:09,200 - Fork over the rod, Paul. 1224 01:16:10,327 --> 01:16:11,360 - And you. 1225 01:16:12,000 --> 01:16:13,443 You're much the same. 1226 01:16:14,790 --> 01:16:16,413 Just like any other broad. 1227 01:16:17,280 --> 01:16:18,153 Selfish. 1228 01:16:19,500 --> 01:16:21,000 Self-centered. 1229 01:16:21,000 --> 01:16:23,703 Wanting my sylph-like body for yourself as well. 1230 01:16:25,890 --> 01:16:27,510 You deserve to die as well, bitch! 1231 01:16:27,510 --> 01:16:28,798 - No! (dildo thuds) 1232 01:16:28,798 --> 01:16:31,830 (gunshot rings) (dramatic sting) 1233 01:16:31,830 --> 01:16:32,950 - You hurt me. 1234 01:16:32,950 --> 01:16:34,980 (Alice gasps) 1235 01:16:34,980 --> 01:16:36,630 - You hurt my Paul, cunt. 1236 01:16:36,630 --> 01:16:39,263 - Freeze, murderess, or I'll slap your can off! 1237 01:16:40,200 --> 01:16:42,930 One false move and it's curtains for both of you. 1238 01:16:42,930 --> 01:16:44,537 - I loved you and I hate you! 1239 01:16:44,537 --> 01:16:45,370 (Alice gasps) 1240 01:16:45,370 --> 01:16:46,380 - Cooperate and society will provide 1241 01:16:46,380 --> 01:16:49,050 suitable accommodations for those of your ilk! 1242 01:16:49,050 --> 01:16:51,847 - [Paul] You and your big tits and your fat ass! 1243 01:16:51,847 --> 01:16:55,359 (dramatic orchestral music) 1244 01:16:55,359 --> 01:16:57,930 - Ah, Sergeant, indeed! 1245 01:16:57,930 --> 01:17:00,270 Your devotion to duty, your heroic disregard 1246 01:17:00,270 --> 01:17:03,000 for your own personal safety, have earned you 1247 01:17:03,000 --> 01:17:06,029 my admiration and undying gratitude. 1248 01:17:06,029 --> 01:17:07,980 - I was glad to do it, Chief. 1249 01:17:07,980 --> 01:17:09,183 - May I shake your hand? 1250 01:17:11,670 --> 01:17:14,220 Unfortunately, your contribution to the community 1251 01:17:14,220 --> 01:17:16,050 in which you serve is a thankless 1252 01:17:16,050 --> 01:17:18,270 never-ending responsibility. 1253 01:17:18,270 --> 01:17:20,760 Once more, I ask that you throw yourself, 1254 01:17:20,760 --> 01:17:23,010 as it were, into the breach, 1255 01:17:23,010 --> 01:17:24,930 and deal a quick paralyzing blow 1256 01:17:24,930 --> 01:17:27,180 to yet another kind of parasite 1257 01:17:27,180 --> 01:17:30,030 that continues to pollute our innocent populace, 1258 01:17:30,030 --> 01:17:31,920 those unwary souls whose strength 1259 01:17:31,920 --> 01:17:34,620 stands less proud than ours. 1260 01:17:34,620 --> 01:17:37,200 I know your training as a police person, 1261 01:17:37,200 --> 01:17:39,093 your exemplary dedication to duty, 1262 01:17:39,990 --> 01:17:44,430 your pride of service will stand you in magnificent stead. 1263 01:17:44,430 --> 01:17:45,753 May God bless... 1264 01:17:48,450 --> 01:17:49,453 And protect you. 1265 01:17:50,370 --> 01:17:52,220 - Will there be anything else, Chief? 1266 01:17:56,910 --> 01:17:58,650 - Meet me at the Palace Bar. 1267 01:17:58,650 --> 01:17:59,483 8:15. 1268 01:18:00,986 --> 01:18:01,819 Sharp. 1269 01:18:02,997 --> 01:18:04,637 (jazzy trumpet music) 1270 01:18:04,637 --> 01:18:05,550 - The web is torn. 1271 01:18:05,550 --> 01:18:07,740 The fly has trapped the spider. 1272 01:18:07,740 --> 01:18:10,260 Leave me now to revels that are most private 1273 01:18:10,260 --> 01:18:12,117 and joyously pleasant. 1274 01:18:12,117 --> 01:18:15,560 (gasping, moaning) You have come a long way indeed. 1275 01:18:16,597 --> 01:18:19,430 (louder moaning) 1276 01:18:21,237 --> 01:18:23,407 And as you go, think of those whose lives 1277 01:18:23,407 --> 01:18:27,501 and deaths were most touched by my tale! 1278 01:18:27,501 --> 01:18:29,584 Rafe, the ungentle giant, 1279 01:18:31,290 --> 01:18:34,229 victim of momism and the liquor lobby! 1280 01:18:34,229 --> 01:18:35,479 Homer Johnson, 1281 01:18:36,660 --> 01:18:38,443 the man behind the badge! 1282 01:18:38,443 --> 01:18:40,170 (moans) Oh, Lord! 1283 01:18:40,170 --> 01:18:41,553 Bent, but not bowed, 1284 01:18:43,022 --> 01:18:45,971 his tarnished shield now bright once more. 1285 01:18:45,971 --> 01:18:46,804 Oh, blimey! 1286 01:18:48,822 --> 01:18:49,655 Alice! 1287 01:18:50,617 --> 01:18:52,200 Sweet little Alice... 1288 01:18:53,817 --> 01:18:56,177 aka Eva Braun Jr. 1289 01:18:56,177 --> 01:18:57,960 (moans) Oh, God! 1290 01:18:57,960 --> 01:19:00,570 But this had nothing to do with it! 1291 01:19:00,570 --> 01:19:03,632 The double gauges filling, ridden hard and put away wet. 1292 01:19:03,632 --> 01:19:05,415 (heavy breathing) 1293 01:19:05,415 --> 01:19:07,440 Paul! 1294 01:19:07,440 --> 01:19:08,273 Worry not! 1295 01:19:09,227 --> 01:19:11,299 Oh, bloody good! 1296 01:19:11,299 --> 01:19:15,198 (moans) A fox chasing his own tail! 1297 01:19:15,198 --> 01:19:18,281 Watch how fellatio is its own reward! 1298 01:19:19,678 --> 01:19:20,511 And Margo... 1299 01:19:21,729 --> 01:19:23,659 Margo Winchester! 1300 01:19:23,659 --> 01:19:24,598 Lord! 1301 01:19:24,598 --> 01:19:26,238 No mountain too high to climb! 1302 01:19:26,238 --> 01:19:29,259 No river too broad to cross! 1303 01:19:29,259 --> 01:19:31,342 No road too tough to hoe! 1304 01:19:32,201 --> 01:19:33,819 Oh God, I'm cumming! 1305 01:19:33,819 --> 01:19:35,150 (loud moaning) 1306 01:19:35,150 --> 01:19:36,769 Winchester! 1307 01:19:36,769 --> 01:19:39,686 Über alles! 1308 01:19:39,686 --> 01:19:43,264 (Beethoven symphony music) 1309 01:19:55,339 --> 01:19:56,369 (record scratches) 1310 01:19:56,369 --> 01:19:57,267 (loud whack) 1311 01:19:57,267 --> 01:19:58,100 - [Martin] Schmuck! 1312 01:19:58,100 --> 01:20:00,420 I gave you orders never to play that record again! 1313 01:20:00,420 --> 01:20:02,459 - [Schmuck] Jawohl, Martin. 1314 01:20:02,459 --> 01:20:05,459 (upbeat jazz music)